Amiri Baraka

Amiri Baraka (born October 7, 1934), formerly known as LeRoi Jones, is an African-American poet and a writer of drama, fiction, essays, and music criticism. He is the author of numerous books of poetry and has taught at a number of universities, including the State University of New York at Buffalo and the State University of New York at Stony Brook.

Early life
Baraka was born Everett LeRoi Jones in Newark, New Jersey, where he attended Barringer High School. His father, Coyt Leverette Jones, worked as a postal supervisor and lift operator. His mother, Anna Lois (née Russ), was a social worker. In 1967 he adopted the African name Imamu Amear Baraka, which he later changed to Amiri Baraka.

Baraka studied at Rutgers, Columbia, and Howard Universities, leaving each without a degree, and the New School for Social Research. He won a scholarship to Rutgers University in 1951, but a continuing sense of cultural dislocation prompted him to transfer in 1952 to Howard University. His major fields of study were philosophy and religion. Baraka also served two years in the U.S. Air Force as a gunner. Baraka continued his studies of comparative literature at Columbia University.

1934–1965
Baraka studied philosophy and religion at Rutgers University, Columbia University and Howard University without obtaining a degree. In 1954 he joined the US Air Force, reaching the rank of sergeant.

After an anonymous letter to his commanding officer accusing him of being a communist led to the discovery of Soviet writings, Baraka was put on gardening duty and given a dishonorable discharge for violation of his oath of duty.

The same year, he moved to Greenwich Village working initially in a warehouse for music records. His interest in jazz began in this period. At the same time he came into contact with Beat, Black Mountain College and New York School poets. In the 1960s LeRoi Jones as he was known then sat around in the village cafes and his notebooks had a large image on the covers of an erect penis as his symbol so we know where his mind was at that time. See the covers of his notebooks at that time for authentication of this disturbing fact. In 1958 he married Hettie Cohen and founded Totem Press, which published such Beat Generation icons as Jack Kerouac and Allen Ginsberg. Their literary magazine Yugen lasted for eight issues (1958–62). Baraka also worked as editor and critic for Kulchur (1960–65). With Diane DiPrima he edited the first twenty-five issues (1961–63) of their little magazine Floating Bear.

Baraka visited Cuba in July 1960 with a Fair Play for Cuba Committee delegation and reported his impressions in his essay Cuba libre. In 1961 Baraka co-authored a Declaration of Conscience in support of Fidel Castro's regime. Baraka also was a member of the Umbra Poets Workshop of emerging Black Nationalist writers (Ishmael Reed, Lorenzo Thomas and many others) on the Lower East Side (1962–65). He had begun to be a politically active artist. In 1961 a first book of poems, Preface to a Twenty Volume Suicide Note, was published, followed in 1963 by Blues People: Negro Music in White America — to this day one of the most influential volumes of jazz criticism, especially in regard to the then beginning Free Jazz movement. His acclaimed controversial play Dutchman premiered in 1964 and received an Obie Award the same year.

After the assassination of Malcolm X (1965), Baraka left his wife and their two children and moved to Harlem. Now a black cultural nationalist, he broke away from the basically white Beat Generation and became very critical of the pacifist and integrationist Civil Rights movement. His revolutionary poetry now became more controversial. A poem like “Black Art” (1969), according to academic Werner Sollors from Harvard University, expressed his need to commit the violence required to “establish a Black World.” Rather than use poetry as an escapist mechanism, Baraka saw poetry as a weapon of action. His poetry demanded violence against those he felt were responsible for an unjust society.

1966–1980
In 1966, Baraka married his second wife, Sylvia Robinson, who later adopted the name Amina Baraka. In 1967 he lectured at San Francisco State University. The year after, he was arrested in Newark for having allegedly carried an illegal weapon and resisting arrest during the 1967 Newark riots, and was subsequently sentenced to three years in prison. Shortly afterward an appeals court reversed the sentence based on his defense by attorney, Raymond A. Brown. That same year his second book of jazz criticism, Black Music, came out, a collection of previously published music journalism, including the seminal Apple Cores columns from Down Beat magazine. In 1970 he strongly supported Kenneth A. Gibson's candidacy for mayor of Newark; Gibson was elected the city's first Afro-American Mayor. In the late 1960s and early 1970s, Baraka courted controversy by penning some strongly anti-Jewish poems and articles, similar to the stance at that time of the Nation of Islam.

Around 1974, Baraka distanced himself from Black nationalism and became a Marxist and a supporter of third-world liberation movements. In 1979 he became a lecturer SUNY-Stony Brook's Africana Studies Department. The same year, after altercations with his wife, he was sentenced to a short period of compulsory community service. Around this time he began writing his autobiography. In 1980 he denounced his former anti-semitic utterances, declaring himself an anti-zionist.

1980–today
During the 1982-83 academic year, Baraka was a visiting professor at Columbia University, where he taught a course entitled "Black Women and Their Fictions." In 1984 Baraka became a full professor at Rutgers University, but was subsequently denied tenure. In 1987, together with Maya Angelou and Toni Morrison, he was a speaker at the commemoration ceremony for James Baldwin. In 1989 he won an American Book Award for his works as well as a Langston Hughes Award. In 1990 he co-authored the autobiography of Quincy Jones, and 1998 was a supporting actor in Warren Beatty's film Bulworth. In 1996, Baraka contributed to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization.

Baraka collaborated with hip hop group The Roots on the song "Something in the Way of Things (In Town)" on their 2002 album Phrenology.

In 2003, Baraka's daughter Shani, age 31, and her lesbian partner, Rayshon Homes, were murdered in the home of Shani's sister, Wanda Wilson Pasha, by Pasha's ex-husband, James Coleman. Prosecutors argued that Coleman shot Shani because she had helped her sister separate from her husband. A New Jersey jury found Coleman (also known as Ibn El-Amin Pasha) guilty of murdering Shani Baraka and Rayshon Holmes, and sentenced him to 168 years in prison for the 2003 shooting.

Controversies
Baraka's writings (and the covers of his early notebooks with large images of erect penises on the cover which were in open display in the Greenwich Vilage cafes he sat in) have generated controversy over the years, particularly his advocacy of rape and violence towards (at various times) women, gay people, white people, and Jews. Critics of his work have alternately described such usage as ranging from being vernacular expressions of Black oppression to outright examples of the racism, sexism, homophobia, and anti-Semitism they perceive in his work.

The following is from a 1965 essay:

"Most American white men are trained to be fags. For this reason it is no wonder their faces are weak and blank. … The average ofay [white person] thinks of the black man as potentially raping every white lady in sight. Which is true, in the sense that the black man should want to rob the white man of everything he has. But for most whites the guilt of the robbery is the guilt of rape. That is, they know in their deepest hearts that they should be robbed, and the white woman understands that only in the rape sequence is she likely to get cleanly, viciously popped."

In 2009, he was again asked about the quote, and placed it in a personal and political perspective:

"Those quotes are from the essays in Home, a book written almost fifty years ago. The anger was part of the mindset created by, first, the assassination of John Kennedy, followed by the Assassination of Patrice Lumumba, followed by the assassination of Malcolm X amidst the lynching, and national oppression. A few years later, the assassination of Martin Luther King and Robert Kennedy. What changed my mind was that I became a Marxist, after recognizing classes within the Black community and the class struggle even after we had worked and struggled to elect the first Black Mayor of Newark, Kenneth Gibson."

"Somebody Blew Up America"
Amiri Baraka wrote a poem titled "Somebody Blew Up America" about the September 11, 2001 attacks. The poem was controversial and highly critical of racism in America, and includes angry depictions of public figures such as Trent Lott, Clarence Thomas, and Condoleezza Rice. The poem also contains lines claiming Israel's involvement in the World Trade Center attacks:

Who knew the World Trade Center was gonna get bombed Who told 4000 Israeli workers at the Twin Towers To stay home that day Why did Sharon stay away?

[...]

Who know why Five Israelis was filming the explosion

And cracking they sides at the notion

Baraka has said that he believed Israelis (and President George W. Bush) were involved in the Sept. 11 attacks, citing what he described as information that had been reported in the American and Israeli press and on Jordanian television. He denies that the poem is anti-Semitic, and points to its accusation, which is directed against Israelis, rather than Jews as a people. The Anti-Defamation League denounced the poem as anti-Semitic, though Baraka and his defenders defined his position as Anti-Zionism.

Poet Laureate of New Jersey
In July 2002, ten months after the 9/11 attacks, Baraka was named Poet Laureate of New Jersey. After this poem's publication, Governor Jim McGreevey tried to remove Baraka from the post, only to discover that there was no legal way to do so. In 2003, after legislation was passed allowing him to do so, McGreevey abolished the NJ Poet Laureate title. In response to legal action filed by Baraka, the United States Court of Appeals for the Third Circuit ruled that state officials were immune from such suits, and in November 2007 the Supreme Court of the United States refused to hear an appeal of the case.

Recognition
In response to the attempts to remove Baraka as Poet Laureate of New Jersey, a nine-member advisory board named him the poet laureate of the Newark Public Schools in December 2002.

In 2002, scholar Molefi Kete Asante listed Amiri Baraka on his list of 100 Greatest African Americans.

Baraka has received honors from a number of prestigious foundations, including: fellowships from the Guggenheim Foundation and the National Endowment for the Arts, the Langston Hughes Award from the City College of New York, The Rockefeller Foundation Award for Drama, an induction into the American Academy of Arts and Letters, and the Before Columbus Foundation Lifetime Achievement Award.

Publications

 * Preface to a Twenty Volume Suicide Note, poems, 1961
 * Blues People: Negro Music in White America, 1963
 * Dutchman and The Slave, drama, 1964
 * The System of Dante's Hell, novel, 1965
 * Home: Social Essays, 1965
 * A Black Mass (1966), a play is based on the Nation of Islam narrative of Yakub
 * Tales, 1967
 * Black Magic, poems, 1969
 * Four Black Revolutionary Plays, 1969
 * Slave Ship, 1970
 * It's Nation Time, poems, 1970
 * Raise Race Rays Raize: Essays Since 1965, 1971
 * Hard Facts, poems, 1975
 * The Motion of History and Other Plays, 1978
 * Poetry for the Advanced, 1979
 * New Music, New Poetry, 1980, India Navigation
 * reggae or not!, 1981
 * Confirmation: An Anthology of African American Women, 1983 (edited with Amina Baraka)
 * Daggers and Javelins: Essays 1974-1979, 1984
 * The Autobiography of LeRoi Jones/Amiri Baraka, 1984
 * The Music: Reflections on Jazz and Blues, 1987
 * ''Transbluesency: The Selected Poems of Amiri Baraka/LeRoi Jones, 1995
 * Wise, Why’s Y’s, a long poem, 1995
 * Funk Lore: New Poems, 1996.
 * Somebody Blew Up America, 2001
 * The Book of Monk, 2005
 * Tales of the Out & the Gone, 2006
 * Billy Harper: Blueprints of Jazz, Volume 2, Audio CD, 2008
 * Ancient Music

Film appearances

 * One P.M. (1972)
 * Fried Shoes Cooked Diamonds (1978) .... Himself
 * Black Theatre: The Making of a Movement (1978) .... Himself
 * Furious Flower: A Video Anthology of African American Poetry 1960-95, Volume II: Warriors (1998) .... Himself
 * Bulworth (1998) .... Rastaman
 * Piñero (2001) .... Himself
 * Strange Fruit (2002) .... Himself
 * Ralph Ellison: An American Journey (2002) .... Himself
 * Chisholm '72: Unbought & Unbossed (2004) .... Himself
 * Keeping Time: The Life, Music & Photography of Milt Hinton (2004) .... Himself
 * Hubert Selby Jr: It/ll Be Better Tomorrow (2005) .... Himself
 * 500 Years Later (2005) (voice) .... Himself
 * The Ballad of Greenwich Village (2005) .... Himself
 * The Pact (2006) .... Himself
 * Retour à Gorée (2007) .... Himself
 * Polis Is This: Charles Olson and the Persistence of Place (2007)
 * Revolution '67 (2007) .... Himself
 * Turn Me On (2007) (TV) .... Himself
 * Oscene (2007) .... Himself
 * Corso: The Last Beat (2008)
 * The Black Candle (2008)
 * Ferlinghetti: A City Light (2008) .... Himself
 * Motherland (film) (2010)