International Writing Program

The International Writing Program (IWP) is a writing residency for international artists in Iowa City, Iowa. Since its inception in 1967, the IWP has hosted over 1,100 emerging and established poets, novelists, dramatists, essayists, and journalists from more than 120 countries. Its primary goal is to introduce talented writers to the writing community at the University of Iowa, and to provide for the writers a period of optimal conditions for their creative work. Since 2000, the IWP has been directed by poet and journalist Christopher Merrill.

History
The IWP was founded by Paul Engle and Hualing Nieh Engle as a non-academic, internationally-focused counterpart to the Iowa Writers’ Workshop.

Under the Engles' guidance, hundreds of writers came to Iowa, particularly from parts of the world where literary and personal freedom was often restricted. During the 1970s and 1980s the program's reach towards nations in Africa, Asia, Latin America, and eastern Europe expanded significantly. In 1979 the Engles coordinated a "Chinese Weekend", one of the first significant meetings of writers from mainland China, Taiwan, Hong Kong, and the Chinese diaspora since 1949.

For their efforts to connect writers worldwide and to promote international understanding, the Engles were nominated for the Nobel Peace Prize in 1976.

Hualing Nieh Engle and Paul Engle co-directed the IWP until 1977, after which Engle retired and Hualing continued as sole director. She retired in 1988, and currently serves as a member of the IWP Advisory Board.

Other past directors include Fredrick Woodard (1988), Clark Blaise (1990), Steven Ungar (1998), and Sandra Barkan (1999).

Current activities
The primary residency, which takes place each fall, offers writers the opportunity to participate in American literary, academic, and cultural life through talks, lectures, readings, screenings, stage performances, school visits, and travel, while providing time for personal writing and creative work. University of Iowa students can take several classes built around the work and presence of the IWP residents.

Literary translation is an integral part of the program's mission. At the time of Hualing's retirement, two volumes of selected IWP writings had been compiled under the title Writing From The World, in addition to another collection, The World Comes To Iowa, and more than a dozen individual volumes in the Iowa Translation Series. Today, the IWP supports 91st Meridian, an online literary journal.

In recent years the program has broadened its efforts to promote international connections among writers by organizing a variety of events, some of which take place outside the United States. Among these are:
 * Reading tours of American authors in the Middle East and the Maghreb
 * International colloquia on current cultural topics
 * Life of Discovery, a multi-year artist exchange program with members of Chinese minority groups
 * Between the Lines, a program bringing high school students from Arabic-speaking countries to Iowa to practice creative writing alongside American students

Funding
A major source of funding for writers attending the IWP is the U.S. Department of State, and the program's administration is supported by the University of Iowa. The IWP also administers grants for writers sponsored for their residency by private and public cultural organizations in the United States and abroad.

The IWP in literature and film
The IWP itself has been featured in a number of literary works, including:
 * Memories of Light and Shade—Part 1, a serial novel by Sunil Gangopadhyay, published in the Bengali journal Urhalpool
 * The Fall of the Japanese Language in the Age of English, a novel by Minae Mizumura
 * "Writing in the Mirror of the River", a short story by Mohamed Magani, published in 91st Meridian

In 1973, the United States Information Agency funded a documentary about the IWP, Community of the Imagination.

Alumni


Among the program's alumni are: Many alumni presentations, including audio and video, have been archived.
 * Ghada Abdel AAl (Egypt, 2010)
 * Ian Rosales Casocot (Philippines, 2010)
 * Tahereh Saffarzadeh (Iran, 1967)
 * Jose Donoso (Chile, 1968, 1991)
 * Luisa Valenzuela (Argentina, 1969)
 * Janusz Glowacki (Poland, 1970, 1986)
 * Arnost Lustig (Czech Republic, 1970)
 * Marin Sorescu (Romania, 1971)
 * João Ubaldo Ribeiro (Brazil, 1972)
 * Peter Nazareth (Uganda, 1973)
 * Bessie Head (Botswana, 1977)
 * Edwin Thumboo (Singapore, 1977, 1986)
 * Eavan Boland (Ireland, 1979)
 * John Banville (Ireland, 1980)
 * Emmanuel Hocquard (France, 1980)
 * Earl Lovelace (Trinidad, 1980)
 * Wang Meng (China, 1980)
 * Anton Shammas (Israel, 1981)
 * Ding Ling (China, 1981)
 * Kenji Nakagami (Japan, 1982)
 * Liu Binyan (China, 1982)
 * Dubravka Ugrešić (Yugoslavia, 1983)
 * Lorna Goodison (Jamaica, 1983)
 * Sebastian Barry (Ireland, 1984)
 * Orhan Pamuk (Turkey, 1985)
 * David Albahari (Yugoslavia, 1986)
 * Edward Radzinsky (Russia, 1987)
 * Li Ang (Taiwan, 1987)
 * Bei Dao (China, 1988)
 * Slavenka Drakulic (Yugoslavia, 1988)
 * Etienne van Heerden (South Africa, 1990)
 * Can Xue (China, 1992)
 * András Nagy (Hungary, 1993)
 * Sue Woolfe (Australia, 1994)
 * Ranjit Hoskote (India, 1995)
 * Viktor Pelevin (Russia, 1996)
 * Tibor Fischer (UK, 1997)
 * Martin Rejtman (Argentina, 2000)
 * Hwang Ji-woo (Korea, 2000)
 * Etgar Keret (Israel, 2001)
 * Joy Goswami (India, 2001)
 * Su Tong (China, 2001)
 * Xi Chuan (China, 2002)
 * Edward Carey (UK, 2002)
 * Yu Hua (China, 2003)
 * Minae Mizumura (Japan, 2003)
 * Gábor T. Szántó (Hungary, 2003)
 * Mo Yan (China, 2004)
 * Doris Kareva (Estonia, 2006)
 * Kiran Nagarkar (India, 2007)
 * Maria Sonia Cristoff (Argentina, 2011)
 * Dimitris Lyacos (Greece/Italy, 2012)