Marc Matthews

Marc Matthews is a poet from Guyana.

Life
Matthews was born in Guyana in the 1940s. He received, he reports, "a mid-Victorian education" at Queen's College, Georgetown.

He worked as an operator, producer and presenter on Radio Demerara; as a scriptwriter and documentary researcher/ presenter for Guyana Broadcasting Service as a tutor in drama at the Cyril Potter Teachers Training College.

In the 1960s he was in London as a freelance reporter, involved with the UK Black Power movement and alternative theatre productions. He was closely involved with the Caribbean Artists Movement, being, along with Linton Kwesi Johnson, one of the most prominent younger poets to come out of CAM. Unlike Johnson, Marc Matthews's pioneering role as a nation language performance poet has not been properly recognised, probably because his roots and material were always more Guyanese than Black British. Similarly, because of its nature as live theatre rather than as published scripts, his important work, first with fellow Guyanese Ken Corsbie in Dem Two, then in All Ah We, which added John Agard and Henry Muttoo, has largely vanished from the record, if not the memory of those who witnessed them. Only Matthews's record Marc-Up (1987) survives as a record of those days.

As the tyranny of the Burnham years worsened, Marc Matthews settled in the United Kingdom, though he made one attempt to return to live in Guyana after the return of democratic government in the 1990s. (Kairi in Trinidad had produced an early unbound pamphlet of Matthews, Eleven O'Clock Goods, in 1974).

Around 2005 Marc, working under the pseudonym 'Tramping Man' formed a musical collaboration called 'Burn Brothers' with 2 london based producers - Jean Philippe Altier, and Adam Hoyle. They were joined by saxophonist Florian Brand and performed a number of gigs in and around London in 2007. A record named 'Fire Exit' was recorded and released in April 2008.

Recognition
In 1988, he won the Guyana Prize for his first collection of poetry Guyana My Altar (Karnak House, 1987).