Birney was born in Calgary, Alberta (then part of the Northwest Territories). Raised on a farm in Erickson (near Creston), British Columbia, his childhood was somewhat isolated. After working as a farm hand, a bank clerk, and a park ranger, Birney went on to college to study chemical engineering but graduated with a degree in English.
Through a brief and quickly annulled marriage to Sylvia Johnston, he was introduced to Trotskyism. In the 1930's he was an active Trotskyist in Canada and Britain, and was the leading figure in the Socialist Workers League but drifted away from the movement during World War II. During the war he served as a personnel officer in the Canadian Army (an experience that he used in his 1949 novel, Turvey).
In 1946 Birney began teaching at the University of British Columbia (UBC), where he founded and directed the earliest Canadian creative writing program. His work led to the establishment of Canada's 1st Department of Creative Writing at UBC. After 20 years at UBC, he left in 1965 to become the inaugural writer in residence at the University of Toronto.
In 1987 Birney suffered a disabling heart attack. He died in Toronto in 1995.
Birney's World War II experiences inspired the creation of the title character of his comic military novel, Turvey (1949), a saga of a hapless soldier's struggle to get to "the sharp end" of the fighting in Holland and Germany during 1944-45. The character of Turvey is a fascinating melange of country boy innocent, common sense utilitarian and town fool, and seems to have been fashioned as a foil to the eccentrically pseudo-sophisticated Canadian military life as illustrated in the novel. The book has been described as "uproariously ribald", winning the Stephen Leacock Medal for Humour. Turvey was a Canadian bestseller, selling 30,000 copies.
Birney published his 2nd novel, Down the Long Table, a Marxist novel about the Great Depression, in 1955. It did not match the earlier novel's success.
Canadian Encyclopedia: "Beginning with David, and other poems (1942), Birney's poetry consistently explored the resources of language with passionate and playful curiosity.... Throughout his career Birney was an experimental poet, publishing over 20 books of verse that vary as widely in form and voice as they do in subject. His poems reveal his constant concern to render his encyclopedic experience - be it of Canada's geographical or cultural reaches, of nature, of travels or of the trials of love by time - into a language marvellously dexterous and supple, always seriously at play."
The title work of David, "a poem about euthanasia, became quite a controversial poem, frequently anthologized and taught in Canadian literature courses."  "A generation of Canadian schoolchildren and university students has grown up knowing the story," Al Purdy wrote in 1974. "At one time or another in the last 25 years, 'David' has been required reading for high schools and universities in every Canadian province." 
Birney's typography became increasingly more experimental during the 1960s, and in his 1966 Selected Poems he revised many of his older poems, dropping punctuation and sentence structure. He explained his reasoning in the preface to that book:
- Our intricate system of speckles between words evolved comparatively recently and merely to ensure that prose became beautifully unambiguous -- Instant Communication. For a while the poets went along with this, even though what they were shooting at was the art of indefinitely delayed communication -- Indefinite Ambiguity. Belatedly but willingly influenced by contemporary trends, I've come to surround my pauses with space rather than with typographical spatter, and to take advantage of the new printing processes to free my work occasionally from the tyranny of one-direction linotype.
In 1982 Birney recorded Nexus & Earle Birney, a triple-album collaboration with avant-garde percussion group Nexus.
The Canadian Encyclopedia sums up: "In long poems and lyrics, sight poems, sound poems and found poems, whether on the page or in his collection of recorded poems with the percussion ensemble NEXUS (1982), Birney demonstrated his deep commitment to making language have meaning in every possible and eloquent way." 
Birney's debut collection, David, and other poems, won the Governor General's Award for English language poetry or drama in 1942. His 2nd collection, Now Is Time, won Birney another Governor General's Award in 1945.
In 1970 Birney was made an Officer of the Order of Canada.
- David, and other poems. Toronto: Ryerson Press, 1942.
- Now Is Time. Toronto: Ryerson Press, 1945.
- The Strait of Anian. Toronto: Ryerson Press, 1948.
- Trial of a City, and other verse. Toronto: Ryerson Press, 1952.
- Ice Cod Bell or Stone. Toronto: McClelland & Stewart, 1962.
- Near False Creek Mouth. Toronto: McClelland & Stewart, 1964.
- Two Poems. Halifax, 1964.
- Selected Poems, 1940-1966. Toronto: McClelland & Stewart, 1966.
- Memory No Servant: Poems, 1947-1967. Trumansburg, NY: New Books, 1968..
- Poems: A New Canadian Library selection. Toronto: McClelland & Stewart (New Canadian Library N06), 1969.
- pnomes jukollages & other stunzas. Toronto: Ganglia Press, 1969.
- Rag & Bone Shop. Toronto: McClelland & Stewart, 1970.
- The Bear on the Delhi Road: Selected poems. London: Chatto & Windus, 1973.
- what's so big about GREEN?. Toronto: McClelland & Stewart, 1973.
- Collected Poems. Toronto: McClelland & Stewart, 1975.
- Alphabeings, and other seasyours. London, ON: Pikadilly Press, 1976.
- The Rugging and the Moving Times: Poems new and uncollected, 1976. Coatsworth, ON: Black Moss Press, 1976.
- Ghost in the Wheels: Selected poems. Toronto: McClelland & Stewart, 1977.
- Fall by Fury, and other makings. Toronto: McClelland & Stewart, 1978.
- The Mammoth Corridors. Okemos, MI: Stone Press, 1980.
- Copernican Fix. Toronto: ECW Press, 1985.
- Last Makings: Poems. Toronto: McClelland & Stewart, 1991.
- One Muddy Hand: Selected poems (edited by Sam Solecki). Madeira Park, BC: Harbour Publishing, 2006.
- The Essential Earle Birney (selected by Jim Johnstone). Erin, ON: Porcupine's Quill, 2014.
- The Damnation of Vancouver. Toronto: McClelland & Stewart (New Canadian Library N0111), 1977.
- Words on Waves: Selected radio plays. Kingston, ON: Quarry Press / CBC Enterprises, 1985.
- Turvey: A military picaresque. Toronto: McClelland & Stewart, 1949.
- Down the Long Table. Toronto: McClelland & Stewart, 1955.
- Big Bird in the Bush: Selected stories and sketches. Oakville, ON: Mosaic Press, 1978.
- The Creative Writer. Toronto: Canadian Broadcasting Corporation, 1966.
- The Cow Jumped Over the Moon: The writing and reading of poetry. Toronto: Holt, Rinehart, & Winston, 1972.
- Essays on Chaucerian Irony. Toronto & Buffalo, NY: University of Toronto Press, 1985.
- Spreading Time: Remarks on Canadian writing and writers, 1904-1949. Montreal: Vehicule Press, 1989.
- Twentieth Century Canadian Poetry. Toronto: Ryerson Press, 1953.
- Four Parts Sand: New Canadian poets. Ottawa: Oberon Press, 1972.
- Nexus & Earle Birney. Norland, ON: Nexus, 1982.
- Celebration: Famous Canadian Poets on CD (with Irving Layton). Canadian Poetry Association 2001. ISBN 1-55253-029-9
- Writer (4 titles)
- 1995: Trawna Tuh Belvul
- 1993: David (short) (poem)
- 1983: Aloud (short) (poem)
- 1970: Espolio (short) (poem)
- Actor (1 title)
- 1983: Aloud (short) Reciter
- Self (3 titles)
- 1993: View from the Typewriter; Himself
- 1981: Earle Birney: Portrait of a Poet; Himself
- 1965: Ladies and Gentlemen, Mr. Leonard Cohen (documentary)(uncredited)
Except where noted, film information from Internet Movie Database.
- Elspeth Cameron, Earle Birney: A life. Toronto: Viking, 1994. ISBN 0-670-82874-2
- Earle Birney fonds at University of British Columbia Archives
- ↑ 1.0 1.1 1.2 1.3 1.4 1.5 Neil Besner, Birney, Alfred Earle, Canadian Encyclopedia, Edmonton: Hurtig, 1988, 231. Print.
- ↑ Bruce Nesbitt, "The Political Prose of Earle Birney: Trotsky and the 1930's," Essays on Canadian Writing (Toronto: ECW) 21 (Spring 1981), 174-183. Print.
- ↑ Neil Besner, Birney, Alfred Earle, Canadian Encyclopedia, Historica Canada. Web, Mar. 28, 2017.
- ↑ R.L. Hale, editor. The Open Road: Stories, Essays and Travel Tales, St. Martin's Classics, Toronto: Macmillan, 1955. 46.
- ↑ 5.0 5.1 5.2 5.3 Al Purdy, "The Man Who Killed David," Tru.ca. Web, Mar. 18, 2011.
- ↑ "Birney, (Alfred) Earle: David," Literature Annotations, Literature, Arts and Medicine Database. Web, Mar. 18, 2011.
- ↑ Northrop Frye, "from 'Letters from Canada' University of Toronto Quarterly - 1952," The Bush Garden (Toronto:Anansi, 1971), 10.
- ↑ Earle Birney, "Preface," Selected Poems (Toronto: McClelland and Stewart, 1966), ix.
- ↑ Piero Scaruffi, "Nexus," Avantgarde Music. Web, Mar. 20, 2011.
- ↑ 10.0 10.1 10.2 10.3 10.4 10.5 10.6 10.7 Search results = au:Earle Birney, WorldCat, OCLC Online Computer Library Center Inc. Web, May 3, 2014.
- ↑ "Earle Birney: Published Works," Canadian Poetry Online, UToronto.ca, Web, May 3, 2011.
- ↑ "Earle Birney," Internet Movie Database, IMDb.com, Web, May 24, 2011.
- "Vancouver Lights" at Poetry in Voice
- Two poems by Earle Birney ("Bushed," "Fall by Fury")
- Canadian Poetry Online: Earle Birney - Biography & 6 poems ("Vancouver Lights," "From the Hazel Bough," "Sestina for the Ladies of Tehuantepec," "The Bear on the Delhi Road," "El Greco: Espolio," "Plaza de la Inquisicion")
- Earle Birney at AllPoetry (7 poems)
- Birney, Earle (1904-1995) bibliography & 10 poems ("Never Blush to Dream," "Anglosaxon Street," "Answers to a Grade-School Biology Test," "The Bear on the Delhi Road," "Bestiary," "Canada: Case History: 1945," "David," "El Greco: Espolio," "My Love is Young," "Plaza de la Inquisicion") at Representative Poetry Online.
- Audio / video
- Earle Birney at Amazon.com
- Earle Birney in the Encyclopædia Britannica
- Alfred Earle Birney in The Canadian Encyclopedia
- Earle Birney at ABC Bookworld
- Earle Birney at English-Canadian Writers
- Earle Birney: A Brief Biography
- Earle Birney at the Internet Movie Database
- "Earle Birney as Anglo-Saxon Scop: A Canadian "shaper" of poetry?," Canadian Poetry
- The Lives of a Poet: The correspondence of Earle Birney and Desmond Pacey, 1957-58 in Canadian Poetry
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