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Edythe Mae Gordon (?1897–1980) was an African-American poet and short story writer during the era of the Harlem Renaissance.

SatEveningQuill

Saturday Evening Quill Vol. 2 (April 1929). Courtesy Boston Book Blog.

Life[]

Youth and education[]

Gordon was born Edythe Mae Chapman in Washington, D.C., probably on June 4 and sometime in the period 1895–1900; the date is uncertain because the existing documents differ on her birth year.[1]

She was apparently raised by members of her mother's family, surnamed Bicks; nothing is known of her father.[2]

She was educated at M Street School, a public school, and graduated in 1916.[2]

In 1926, Gordon enrolled as an undergraduate at Boston University.[2] She graduated in 1934 with a B.S. degree in religious education and social services; a year later she earned her master's degree from the university's School of Social Services, a then-rare accomplishment for an African-American woman.[1]

Career[]

In her last year at M Street School, she married Eugene Gordon, then a student at Howard University and later a writer for the Boston Post. By 1919 they had moved to Boston; they separated in 1932 and divorced in 1942.[1][2]

In 1925, Gordon's husband Eugene organized an African-American literary group, the Saturday Evening Quill Club, out of which grew a literary magazine, the Saturday Evening Quill, of which he became the editor.[3] Published 3 times a year, Quill contains most of the surviving specimens of Gordon's writing.[1][4]

Her earliest piece for Quill was a 1928 short story, "Subversion."[1] Gordon would go on to publish 2 more short stories and a dozen poems in Quill.[1] She also published 2 poems in the 1938 anthology Negro Voices, edited by Beatrice Murphy.

There is little information about Gordon after her 1942 divorce.[1]

She died in 1980.[3]

Writing[]

Gordon's fiction focuses on the unhappy lives of urban African-American couples, challenging some of the era's social norms.[1][2]

Her poems are lyrical odes to love that take their metaphors from nature.[1]

A compilation of Gordon's work, Selected Works of Edythe Mae Gordon, was published in 1996.[5] That same year, "Subversion" and another story, "If Wishes Were Horses", were republished in the anthology Harlem's Glory: Black women writing, 1900-1950.[6]

Recognition[]

"Subversion" was listed among 1928's distinguished stories by the O. Henry Award prize committee, which at the time rarely noticed works by non-white authors.[1][4]

Publications[]

Collected editions[]

  • Selected Works. New York: G.K. Hall, 1996.

See also[]

References[]

Notes[]

  1. 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 Nurick, Russell Jay. "Edythe Mae Gordon". In African American Authors 1745-1945: Bio-bibliographical Critical Sourcebook, Emmanuel Sampath Nelson, ed. Greenwood Publishing Group, 2000, pp. 184–87.
  2. 2.0 2.1 2.2 2.3 2.4 Honey, Maureen. "Edythe Mae Gordon (1896–?)". In Shadowed Dreams: Women's Poetry of the Harlem Renaissance. Rutgers University Press, 2006, p. 118.
  3. 3.0 3.1 Mitchell, Verner, and Cynthia Davis. Literary Sisters: Dorothy West and Her Circle, A Biography of the Harlem Renaissance. Rutgers University Press, 2011, pp. 85–90.
  4. 4.0 4.1 Bracks, Lean'Tin L., Jessie Carney Smith, eds. "Gordon, Edythe Mae". In Black Women of the Harlem Renaissance Era. Rowman & Littlefield, 2014, p. 91
  5. "Guide to the Eugene Gordon Papers". New York Public Library, Schomburg Center for Research In Black Culture.
  6. Roses, Lorraine Elena, and Ruth Elizabeth Randolph, eds. Harlem's Glory: Black Women Writing, 1900-1950. Harvard University Press, 1996, pp. 104–112.

External links[]

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