by George J. Dance


Kenneth Leslie (1892-1974). Courtesy Discogs.

Kenneth Leslie
Born October 31, 1892
Pictou, Nova Scotia
Died October 6, 1974 (aged 81)
Halifax, Nova Scotia
Occupation editor, teacher
Nationality Canada Canadian
Alma mater Dalhousie U, U of Nebraska, Harvard U
Literary movement The Song Fishermen
Notable work(s) By Stubborn Stars (1938)
Notable award(s) Governor General's Award
Spouse(s) Elizabeth Moir, Marjorie Finlay Hewitt, Cathy, Nora Steenerson Totten
Children Kathleen, Gloria, Rosaleen, Kenneth Alexander

Kenneth Malcolm Leslie (October 31, 1892 - October 6, 1974) was a Canadian poet and songwriter, and a political activist. A Christian socialist, he was given the nickname, "God's Red Poet."[1]



Leslie was a Governor General's Award-winning poet in the 1930s, and an influential political activist in the United States during the late 1930s and 1940s. He was the founder and editor of The Protestant Digest (later The Protestant), which had a peak circulation of over 50,000 subscribers.[2]

Youth and educationEdit

Leslie was born in Pictou, Nova Scotia, on Halloween, 1892. His father, Robert Jamieson Leslie, was a shipping magnate who in 1905 became a member of the Quebec legislature, but who drowned that year when one of his ships, The Lunenberg, sank in a storm off the Magdalen Islands (which were part of his Quebec constituency).[2]

Kennneth was raised by his mother, Bertha (Starratt). As a boy he learned to play the violin and piano, and loved to sing; he also wrote poetry.[3] He was a child prodigy, attending Dalhousie University in Halifax, Nova Scotia, at age 14.[1]

Later he was educated at Colgate Theological Seminary for a year; the University of Nebraska, where he received his M.A. in 1914; and Harvard, where he studied under philosopher Josiah Royce but did not receive a Ph.D.[3]

1st marriageEdit

Leslie was married 4 times. His 1st wife, Elizabeth, was the daughter of the wealthy Halifax candy manufacturer, James Moir. The couple led an active social life, travelling widely, acquainted with some of the leading literary and artistic figures of the day. In Halifax they were members of The Song Fishermen, a social and literary set led by their friends, Andrew and Tully Merkel, whose Halifax home was "a favourite rendezvous for writers and artists." Leslie became a close friend of Song Fisherman Robert Norwood, "a native of New Ross, N.S. who published eight books of poetry and became, as rector of St. Bartholomew's Church in New York City, one of the most renowned preachers in North America."[3]

"In about 1928" the Leslies "went with their children to Paris for a year, ostensibly to enable Leslie to study at the Sorbonne; in actuality they spent most of the year touring the continent."[3]

In the late 1920's the Leslies relocated to New York City, where Leslie began losing his wife's money playing the stock market: "Estimates of the loss run from $25,000 to $250,000."[3] During those years, the Leslies were active in theatre circles. Leslie studied acting, and his children were cast in a Broadway play.[3] Leslie wrote his own "'Broadway' musical, which collapsed in rehearsals, and a few dozen other songs which did not sell in Tin Pan Alley."[4]

During the 1930's Leslie hosted a radio program on Newark, New Jersey, station WOR on which he read poetry, sang Gaelic songs, and played the violin.[3]

In the 1930's the Leslies' marriage fell apart. As Kenneth Leslie later told it: "My wife had the habit of taking all the children away to stay with relatives for months at a time, leaving me alone. I stepped out on her and she divorced me." Beth prevented him from seeing his children again in her lifetime, and even changed the name of his son (from Kenneth Alexander to Alexander Moir). After her death Leslie reconciled with his daughters; but he never saw his son again.[3]

2nd marriageEdit


In 1934 Leslie married Marjorie Finlay Hewitt, a divorcee, who had "become enamoured of him when she attended a poetry reading he was giving in Montclair," New Jersey. The dozen years of their marriage were the most productive of his life.[1]

In 1934 he published Windward I Rock, "the first of several acclaimed volumes of poetry".[1] 3 more books of poetry would follow in the next 4 years.

Leslie's 4th volume, By Stubborn Stars, won Canada's Governor General's Award in 1938. But by then had had other concerns.


During the mid-1930's, Leslie "had become increasingly disturbed by the growth of fascist and anti-semitic attitudes in the United States throughout the thirties and the concomitant influence of isolationist sentiments on American foreign policy." In particular he was concerned about the radio broadcasts of Roman Catholic priest Father Charles Coughlin, who was reaching as many as 40 million listeners.[3]

Leslie worried about the spread of groups like the German-American Bund, the Protestant War Veterans Association, the Christian Mobilizers, the Christian Front, and William Dudley Pelley's Silver Shirts, all of whom he saw as being inspired by Coughlin's anti-semitism.[3] So "during the late 1930s, he chose to take a public stand, launching the Protestant Digest (later The Protestant), a progressive journal of religion and politics."[1]

In December 1938, with the "support of his second wife, who provided almost all of the initial investment money (approximately $40,000), he created the Protestant Digest, ... which eventually attained a circulation of 50,000 and became a powerful voice in the war against fascism and anti-semitism in the United States."[3] "With contributions from the leading public intellectuals of the day, the magazine called for a declaration of war against the Axis powers, and stood firmly against the oppression of Jews."[1]

Theologians Paul Tillich and Reinhold Niebuhr became editorial advisers to The Protestant, "as did ... Dr. John Mackay, President of Princeton Theological Seminary, James Luther Adams of the Meadville Theological Seminary in Chicago, and Louie D. Newton of Atlanta, Associate Secretary of the Baptist World Alliance.[3] "But [Leslie's] leftist politics and pointed criticism of the Catholic Church (which in his view had enabled Europe's fascists) earned him enemies as well."[1]

"By the early 1940s, Leslie's organization [Protestant Associates] had produced numerous offshoots, including a national organization of anti-fascist Protestant clergy.... Leslie himself was in constant demand as a speaker, and earned endorsements from the likes of Eleanor Roosevelt," the First Lady.[1]

An initiative of Protestant Associates was "the Textbook Commission, with Leslie as 'national' chairman... The Commission gave itself the mandate of searching out and eliminating anti-semitic statements in American textbooks." In December 1943 the Commission released a list of 33 books carrying what it called "race-hating propaganda." "The fact that a large number of these publications were in use in Roman Catholic parochial schools contributed to Leslie's undeserved (but growing) reputation as a virulent anti-Catholic."[3]

Leslie also came up with the idea of The Challenger, "an anti-fascist comic book which appeared sporadically in 1944 and once in 1945, this last time in a 64 page 'deluxe' edition which had a press run of 400,000 and sold at 10 cents. The cover of the 1945 edition shows youths of the white, yellow and black races battling green demons of fear, hate and greed. Gerald Richardson, the editor, made use of nationally known cartoonists in this attempt to counter the mass production of fascist propaganda aimed at the young."[3]

By 1945, though, there was little need to worry about "fascist propaganda". Fascism was dead; the perceived threat was no longer fascists but Communists, Leslie's progressive allies in the anti-fascist coalition. Just as Leslie criticized the Catholic Church as enablers of fascism, so he was criticized by its supporters as an enabler of Communism. And just as he called the Church anti-semitic, he was called anti-Catholic.

Typical of the attacks on him was a "widely-distributed Roman Catholic newspaper in 1947 [that] described The Protestant as the 'Red Hope' and accused Leslie of serving faithfully 'the Moscow purpose to wipe out the Catholic Church, as the chief moral obstacle in the path to Soviet World domination."[3] At the same time, by Leslie's account, he was fighting "to keep editorial policy out of the hands of certain supporters of the Communist Party on the executive staff" of The Protestant. As a result of that struggle, 6 members of the executive resigned in November 1946, "allegedly because of Leslie's dictatorial, one-man control of the publication."[3]

Suddenly, at that time, "Leslie's ability to attract financial support, and, indeed, his personal prestige, became severely diminished." To make matters worse, his wife discovered he was "having an affair with his private secretary, Cathy, a Polish-American girl some thirty years younger than himself," and filed for divorce. Since Leslie had never taken a proper salary from The Protestant, this left him with no personal income.[3]

Next, "Leslie attracted the scrutiny of the FBI and Senator Joseph McCarthy's anti-communist crusade. He made Life magazine's list of the top 50 Communist 'fellow travelers and innocent dupes,' in such illustrious company as Albert Einstein, Norman Mailer, Leonard Bernstein, Arthur Miller and Langston Hughes."[1]

In 1949 Leslie "left the U.S. and returned to his native Nova Scotia for good."[1]

3rd and 4th marriagesEdit

Leslie arrived back in Canada with a new wife, "Cathy, whose parents were peasant class Polish immigrants [and] had no independent source of income. Leslie had to find a job." He drove a taxi and found some work as a substitute teacher. He tried to enter academe: "financially down-and-out and reduced to driving a taxi to earn a living, he entered the education faculty of Dalhousie University, only to withdraw after a few weeks, thoroughly disillusioned with the feeble intellectual quality of the program."[3]

His new marriage fell apart quickly. "Cathy was not happy in Nova Scotia - and she had fallen in love with one of Leslie's nephews, a man close to her own age. Tearfully, and still with great fondness for her husband, she left him to join the nephew."[3]

Kenneth Leslie lived quietly in rural Nova Scotia, working as a lay preacher and substitute teacher. Due to his activist past, plus a 1958 trip he made to the Soviet Union, he was for some time under RCMP suveillance, and an object of "parental anxieties about Communists in the classroom".[3]

The Protestant finally shut down in 1953. But for the next 20 years Leslie continued to publish successor periodicals: One, New Christian, Man, and New Man.[3]

In 1960 Leslie heard of the death of an old friend, Judge Totten. He "drove alone to California to console - and to marry - the judge's widow, Nora Steenerson Totten. The couple were devoted to each other and collaborated on the publication of New Man until 1972, when ill-health forced them both to enter a Halifax nursing home. Leslie died there in relative obscurity on October 6, 1974. Only about a dozen friends and relatives attended the funeral. Nora died the following spring."[3]


Leslie wrote poetry as a boy; his first poem, he later recalled, was about Bonnie Prince Charlie. In the 1920's in Nova Scotia he and his first wife were members of The Song Fishermen, a literary and society group that included Charles G.D. Roberts and Bliss Carman. Leslie began contributing poetry to the Song Fishermen broadsheets, and soon in other small Halifax literary publicatons too. By the end of the decade he had published poems in Literary Digest and Scribner's.[3]

His debut collection, Windward I Rock, "was published by Macmillan in New York in 1934 and received favourable critical attention on both sides of the Atlantic. The Times Literary Supplement praised him for having 'broken through the crust of the conventional to something that is burningly alive.'"[3]

His next 2 books, Lowlands Low (1935) and Such a Din! (1936), were published in Halifax and received little critical notice. "But in 1938 he won considerable acclaim and the Governor-General's award with the publication in Toronto of By Stubborn Stars, and other poems. Charles G.D. Roberts, by then the grand old man of Canadian letters, ranked Leslie at this time a better poet than E.J. Pratt, and Pratt himself wrote to Leslie.... 'I gave an address the other day on the newer poets and quoted at length from your book.'"[3]

After 1938 Leslie published very little outside his own periodicals. But he continued to write poetry and publish poetry through the 1950's, 1960's, and 1970's. "Some of his best poems of these years are highly political: 'Moscow's Measure,' 'Remember Lumumba!' and 'Praise the Viet Cong.' They are as stirring and passionately rhetorical as anything he ever wrote."[3]

Ladysmith Press published The Collected Poems of Kenneth Leslie in 1971. However, because editor Sean Haldane omitted a number of poems "because they were light verse, or political verse, which fulfilled a temporal need," Leslie published his own collected edition, O'Malley to the Reds, and other poems, in 1972.[3]

Jennifer Fandel wrote in ForeWord Review:

The true beauty of Leslie's poetry lies in his often stunning use of language. His seemingly simple word choices, combined with his attention to meter and form, may remind readers of the early work of W.B. Yeats. Additionally, he draws readers in with sound (waiting for the snow, / the foam of bloom forgotten), at times reminiscent of Gerard Manley Hopkins. But the daring of Leslie's work stems from his desire to reveal the complex dualities with which he wrestled in his personal life. From the double entendre in the crotched necessity of standing true / to her while pledging life and love to you to the moody repetition of this monster ledge / of granite under granite clouds, Leslie's language lingers in the mind and on the tongue.[5]


Leslie won the 1938 Governor General's Award for English language poetry or drama for his collection, By Stubborn Stars.[4]

In popular cultureEdit

Ryan's Fancy, Cape Breton Lullaby

Ryan's Fancy, Cape Breton Lullaby

The lyrics to Leslie's song "Cape Breton Lullaby" (set to a different, traditional melody) have been recorded by several Canadian Celtic artists, including Catherine McKinnon,[3] Ryan's Fancy[6] and The Cottars.[7]

Leslie was the subject of a 2008 VisionTV documentary, God's Red Poet: The life of Kenneth Leslie.[1]




  • Windward I Rock: Poems. New York: Macmillan, 1934.
  • Lowlands Low: Poems. Halifax: McCurdy, 1935.
  • Such a Din! Poems. Halifax: McCurdy, 1936.
  • By Stubborn Stars, and other poems. Toronto: Ryerson, 1938.
  • Poems (edited by Sean Haldane). Ladysmith, QC: Ladysmith Press, 1971.
  • O'Malley to the Reds, and other poems. Halifax, NS: privately published, 1972.
  • The Essential Kenneth Leslie (selected by Zachariah Wells). Erin, ON: Porcupine's Quill, 2010.[8]


  • Songs of Nova Scotia (with lyrics & music by Leslie). Halifax: 1964; Waterloo, ON: Waterloo Music, 1966, 1970.[8]


  • "Cobweb College." "A warm rain whispers, but the earth knows best." "Day slipped out of the web of her fog-wet gown." "My love is sleeping; but her body seems." "The silver herring throbbed thick in my seine." The Book of Canadian Poetry. Ed. A.J.M. Smith. First Edition. Chicago: University of Chicago Press, 1943, p. 300. (Also in the 1948 and 1957 editions of the anthology.)
  • "A warm rain whispers, but the earth knows best." "The silver herring throbbed thick in my seine." Twentieth-Century Canadian Poetry. Ed. Earle Birney. Toronto: Ryerson, 1953, pp. 14-15.
  • "From soil somehow the poet's word." "My love is sleeping; but her body seems." "The silver herring throbbed thick in my seine." in The Oxford Book of Canadian Verse. (edited by A.J.M. Smith. Toronto: Oxford University Press, 1960, pp. 173-174.
  • "A warm rain whispers, but the earth knows best." "The silver herring throbbed thick in my seine." in The Penguin Book of Canadian Verse. (edited by Ralph Gustafson); Harmondsworth: Penguin Books, 1967, p. 126. (Also in later editions.)
  • "Halibut Cove Harvest," "The silver herring throbbed thick in my seine," The New Oxford Book of Canadian Verse in English. (edited by Margaret Atwood). Toronto: Oxford University Press, 1983.[9] ISBN 0195404505


  • The Red Judge, and other anecdotes: Reminiscences of two great law courts of Bengal. Rangoon, Rangoon Times Press, 1934.
  • Hungary: Christian or pagan: An eye-witness report. [New York: New Christian Books, c.1950].
  • One. Halifax: New Christian Books, 1951?
  • New Christian Pamphlet. Halifax: 1955
  • Christ, Church, and Communism. Gravenhurst, Ontario: Northern Book House, 1962.


  • Protestant Digest. Boston & New York, 1938-1941.
  • The Protestant. New York & Halifax, 1941-1953.
  • New Christian. Halifax, 1953-1955.
  • Man. Halifax, 1957-[1959?]
  • New Man. Pictou & Halifax, 1959-1972.
Peninsula Women's Chorus Cape Breton Lullaby-0

Peninsula Women's Chorus Cape Breton Lullaby-0

Except where noted, bibliographical information courtesy of Canadian Poetry: Studies/Documents/Reviews.[10]

See alsoEdit



  1. 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 "VisionTV documentary tells the story of unsung Canadian hero Kenneth Leslie, poet and political activist," VisionTV (press release), June 11, 2008. Web, Apr. 15, 2011.
  2. 2.0 2.1 "The Essential Kenneth Leslie,", Web, Apr. 15, 2011.
  3. 3.00 3.01 3.02 3.03 3.04 3.05 3.06 3.07 3.08 3.09 3.10 3.11 3.12 3.13 3.14 3.15 3.16 3.17 3.18 3.19 3.20 3.21 3.22 3.23 3.24 3.25 3.26 3.27 Burris Devanney,"Kenneth Leslie: A biographical introduction," Canadian Poetry: Studies / Documents / Reviews No.05 (Fall/Winter 1979), UWO, Web, Apr. 15, 2011
  4. 4.0 4.1 "The Essential Kenneth Leslie by Zacariah Wells," Books in Print, The Porcupine's Quill, Web, Apr. 15, 2011.
  5. "The Essential Kenneth Leslie [Paperback]",, Web, Apr. 15, 2011.
  6. "Cape Breton Lullaby (Ryan's Fancy)," #01062,, Web, Apr. 15, 2011.
  7. "The Cottars - Cape Breton Lullaby (3:35),", Web, Apr. 15, 2011
  8. 8.0 8.1 Search results = au:Kenneth Leslie, WorldCat, OCLC Online Computer Library Center Inc. Web, Nov. 9, 2014.
  9. Margaret Atwood ed. The New Oxford Book of Canadian Verse in English. (Toronto: Oxford University Press, 1983), 85-86.
  10. Burris Devanney, Sandra Campbell and Domenico Di Nardo. "Kenneth Leslie: A preliminary bibliography," Canadian Poetry: Studies/Documents/Reviews #5 (Fall/Winter 1979). UWO, Web, Apr. 15, 2011

External linksEdit

Audio / video

This page uses Creative Commons Licensed content from Wikipedia. (view article). (view authors).
This page uses content from Wikinfo . The original article was at Wikinfo:Kenneth Leslie.
The list of authors can be seen in the (view authors). page history. The text of this Wikinfo article is available under the GNU Free Documentation License and the Creative Commons Attribution-Share Alike 3.0 license.
This is a signed article by User:George Dance. It may be edited for spelling errors or typos, but not for substantive content except by its author. If you have created a user name and verified your identity, provided you have set forth your credentials on your user page, you can add comments to the bottom of this article as peer review.
Community content is available under CC-BY-SA unless otherwise noted.