Bell Martin

Martin Bell (1918-1978). Courtesy Bloodaxe Books.

Martin Bell (1918-1978) was an English poet.


Born in Hampshire, Bell attended University College, Southampton, where he received an honors degree in English and a diploma in education.[1]

He served in World War II, from 1939 to 1946, in Lebanon, Syria, and Italy with the Royal Engineers.[1]

In the 1950s he held various teaching positions; and also worked for a time as opera critic for Queen magazine,[1] a post obtained through his friend Anthony Burgess.

From the mid-1950s, Bell became a prominent member of The Group in London, having been introduced by Peter Redgrove following a chance meeting outside Chiswick Library. He regularly attended The Group's meetings until leaving for Leeds in 1967, and was influential in its workings. He was later described by Philip Hobsbaum as "much older than the rest of us, and much the best linguist;" and by Peter Porter as "the father and tone-setter of Group discussions."[2]  

Bell succeeded David Wright to the Gregory Fellowship in Poetry at the University of Leeds, having been recommended for the position by Professor Norman Jeffares. At age 49, he was the oldest poet to hold the Fellowship. 

Like his predecessors, Bell contributed both editorial advice and poems to student literary magazine Poetry and Audience. In his final editorial as editor of the magazine, Ronnie Sullivan thanked Bell for his advice and for "contacting outside poets;" Peter Porter, Gavin Ewart, and Norman MacCaig were among those who appeared in the magazine's cyclostyled pages during Bell's Fellowship.[3] Bell may also have been influential in the production of issues of Poetry and Audience entirely devoted to translations.

As well as being involved in and contributing to student poetry seminars at which he sometimes read his own work, Bell held regular discussion sessions for student poets in the Fenton pub, close to the University. Announcements in Poetry and Audience also show that Bell participated in readings open to the Leeds public, including a reading with fellow "Leeds poets" Geoffrey Hill and William Price Turner at the Civic Institute in February 1968, and a reading with George MacBeth, himself a member of The Group, in December of that year.

During his tenure of the Gregory fellowship, Bell took up a part-time teaching position at the Leeds College of Art, holding afternoon poetry seminars as part of the college's Complementary Studies programme. Bell's seminars generally involved between 5 and 7 students, who discussed poems "by famous, but ... unfamiliar, writers," and were perhaps influenced by his experience with The Group. Poet George Szirtes was amongst his students. Szirtes later acknowledged the influence that Bell had had on his own poetic development, describing him as "a good and kind teacher" and "very important to me, the first real poet in my life".[4] Bell was instrumental in arranging the publication of Szirtes' earliest publication, a pamphlet of poetry, Poems, issued in 1972 as number 5 in the Perkin Poets series printed by the Stanningley based Perkins Printers.[5]

Bell continued to teach at the College of Art when his Gregory Fellowship came to an end in 1969. He edited and contributed to an anthology of poetry written by staff and students at the college, including Szirtes, Jeff Nuttall and Doug Sandle (the latter a Leeds University graduate and editor/co-editor of student magazines Sixty-One, Ikon and M.O.M.A.). The anthology included 3 poems by Bell which were later collected in his posthumous Complete Poems (1988): And Welcomes Little Fishes In, Cauchemar and Variations on Francis Bacon. They are grouped together with a poem sequence titled from The City of Dreadful Something, an epithet coined by Bell for Leeds, parodying James Thomson's City of Dreadful Night. Peter Porter refers to this sequence as "a sort of mini-Waste Land."[6] Bell's outlook on the city is dismal and gloomy, with "rain one day, snow the next, and sleet and fog the next day, And wind all the time;" the final section compares Leeds to Hell, which "also includes the Merrion Centre with its special subways for mugging.[7]

In the late 1960s Bell visited Cyprus with his close friend, the Leeds based Cypriot artist Stass Paraskos, on several occasions, and helped Paraskos establish the Cyprus Summer School for Artists, which later became the Cyprus College of Art. As well as meeting the celebrated Cypriot President Archbishop Makarios whilst in Cyprus in 1968, several of Bell's poems inspired by these trips were published in the Cypriot art and letters journal Poseidon.[8]

Bell died in Leeds in 1978. Collections of his literary papers and correspondence are held at the University of Southampton Libraries Special Collections[9] and the Department of Special Collections and University Archives at the McFarlin Library, University of Tulsa.[10]

In 1997, Bell's Reverdy Translations were published by Whiteknights Press with a Forward by Peter Porter and an introduction by John Pilling.


Bell was strongly influenced by T.S. Eliot and Jules Laforgue. He used complex ironies and was skilled at deflating by rhetorical devices. However, he was far from being a right-wing satirist.

The outbreak of war in 1939 and Bell's personal circumstances had interrupted his career and his development as a poet; Peter Porter pinpoints his poetic "flowering" as having come to Bell in early middle age, notably between 1955 and 1965. This relatively late development shows in the depth of experience manifest in his best poems.

His best-known poems are 'The Enormous Comics' and 'Letter to a Friend'.


Bell was awarded the inaugural Arts Council Poetry Bursary in 1964, enabling him to work part-time and allowing more time for writing.

His poetry was included in the Penguin Modern Poets series, which helped it reach a wide audience.[11]




  • Pierre Reverdy, Reverdy Translations. Reading, UK: Whiteknights, 1997.

Except where noted, bibliographical information courtesy WorldCat.[12]

See alsoEdit


Notes Edit

  1. 1.0 1.1 1.2 Martin Bell, Special Collections, University Library, University of Leeds, Web, Aug. 3, 2012.
  2. Philip Hobsbaum, 'The Group: an Experiment in Criticism,' The Yearbook of English Studies, vol. 17, British Poetry since 1945 Special Number (1987), p. 83; Peter Porter, 'Introduction,' in Martin Bell, Complete Poems (Newcastle: Bloodaxe Books, 1988), p. 19.
  3. Ronnie Sullivan, Editorial, Poetry and Audience, vol. 16, no. 19 (1969).
  4. Szirtes, George (2006-03-03). "George Szirtes's blog: Day Five". Hungarian Literature Online. Retrieved 14 April 2014. 
  5. Kathryn Jenner/Leeds Poetry Project. The Perkin Poets series was produced with the support of the Yorkshire Arts Association. At least five pamphlets were published in the series, which began in 1969 with Gordon Hodgeon's Women and Children First (Perkin Poets 1).
  6. Porter, 'Introduction,' in Bell, Complete Poems (1988), p. 27.
  7. "Martin Bell, 'from The City of Dreadful Something,' Complete Poems (1988), p. 139.
  8. Michael Paraskos, 'Stass's College of Art' in Michael Paraskos (ed.) Stass Paraskos (London: Orage Press, 2009) p.9 ISBN 978-0-9544523-5-3
  9. MS 12 / Letters of Martin Bell, 1939-1945)
  10. Collection 1979-020
  11. Martin Bell: Complete Poems, Inpress, Web, Aug. 3, 2012.
  12. Search results = au:Martin Bell 1918, WorldCat, OCLC Online Computer Library Center Inc. Web, Apr. 30, 2014.

External linksEdit

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