Nathaniel Hawthorne

Nathaniel Hawthorne (1804-1864). Portrait by Charles Osgood (1809-1890), 1841. Courtesy Wikimedia Commons.

Nathaniel Hawthorne
Born	July 4, 1804(1804-Template:MONTHNUMBER-04) Salem, Massachusetts, U.S.
Died	May 19, 1864(1864-Template:MONTHNUMBER-19) (aged 59) Plymouth, New Hampshire, U.S.
Alma mater	Bowdoin College (1825)

Nathaniel Hawthorne (July 4, 1804 - May 19, 1864) was an American writer. His published works include novels, short stories, some poems, and a biography of his friend Franklin Pierce.

Life

Overview

Hawthorne was born at Salem, Massachusetts, son of a sea captain who died in 1808, after which his mother led the life of a recluse. An accident when at play conduced to an early taste for reading, and from boyhood he cherished literary aspirations. His education was completed at Bowdoin College, where he had Longfellow for a fellow-student. After graduating, he obtained a post in the Custom-House, which, however, he did not find congenial, and soon gave up, betaking himself to literature, his earliest efforts, besides a novel, Fanshawe, which had no success, being short tales and sketches, which, after appearing in periodicals, were collected and published as Twice-told Tales (1837), followed by a second series in 1842. In 1841 he joined for a few months the socialistic community at Brook Farm, but soon tired of it, and in the next year he married and set up house in Concord in an old manse, formerly tenanted by Emerson, whence proceeded Mosses from an Old Manse (1846). It was followed by The Snow Image (1851), The Scarlet Letter (1850), his most powerful work, The House of Seven Gables, and The Blithedale Romance (1852). Such business as he had occupied himself with had been in connection with Custom-House appointments at different places; but in 1853 he received from his friend Franklin Pierce, on his election to the Presidency, the appointment of United States Consul at Liverpool, which he retained for 4 years, when, in consequence of a threatened failure of health, he went to Italy and began his story of The Marble Faun, published in England in 1860 under the title of The Transformation. The last of his books published during his lifetime was Our Old Home (1863), notes on England and the English. He had returned to America in 1860, where, with failing health and powers, he passed his remaining 4 years. Most of Hawthorne's work is pervaded by a strong element of mysticism, and a tendency to dwell in the border-land between the seen and the unseen. His style is characterised by a distinctive grace and charm, rich, varied, suggestive, and imaginative. On the whole he is undoubtedly the greatest imaginative writer yet produced by America.

Youth

Hawthorne was born Nathaniel Hathorne in Salem, Massachusetts. William Hathorne, the author's great-great-great-grandfather,a Puritan, was the 1st of the family to emigrate from England, settling in Dorchester, Massachusetts and then moving to Salem. There he became an important member of the Massachusetts Bay Colony and held many political positions including magistrate and judge, becoming infamous for his harsh sentencing. William's son and the author's great-great-grandfather, John Hathorne, was one of the judges who oversaw the Salem Witch Trials. Having learned about this, the author may have added the "w" to his surname in his early 20's, shortly after graduating from college, in an effort to dissociate himself from his notorious forebears.

Hawthorne's father, Nathaniel Hathorne, Sr., was a sea captain who died in 1808 of yellow fever in Suriname. After his death, young Nathaniel, his mother, and 2 sisters moved in with maternal relatives, the Mannings, in Salem, where they lived for 10 years. During this time, on November 10, 1813, young Hawthorne was hit on the leg while playing "bat and ball" and became lame and bedridden for a year, though several physicians could find nothing wrong with him.

In the summer of 1816, the family lived as boarders with farmers before moving to a home recently built specifically for them by Hawthorne's uncles Richard and Robert Manning in Raymond, Maine, near Sebago Lake. Years later, Hawthorne looked back at his time in Maine fondly: "Those were delightful days, for that part of the country was wild then, with only scattered clearings, and nine tenths of it primeval woods".

In 1819, he was sent back to Salem for school and soon complained of homesickness and being too far from his mother and sisters. In spite of his homesickness, for fun, he distributed to his family seven issues of The Spectator in August and September 1820. The homemade newspaper was written by hand and included essays, poems, and news utilizing the young author's developing adolescent humor.

Hawthorne's uncle Robert Manning insisted, despite Hawthorne's protests, that the boy attend college. With the financial support of his uncle, Hawthorne was sent to Bowdoin College in 1821, partly because of family connections in the area, and also because of its relatively inexpensive tuition rate. On the way to Bowdoin, at the stage stop in Portland, Hawthorne met future president Franklin Pierce and they became fast friends. Once at the school, he also met future poet Henry Wadsworth Longfellow, future congressman Jonathan Cilley, and future naval reformer Horatio Bridge. Years after his graduation with the class of 1825, he would describe his college experience to Richard Henry Stoddard:

I was educated (as the phrase is) at Bowdoin College. I was an idle student, negligent of college rules and the Procrustean details of academic life, rather choosing to nurse my own fancies than to dig into Greek roots and be numbered among the learned Thebans.

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Constitution of the [Pot]-8-0 Club, secret society formed by Hawthorne and friends at Bowdoin College. Signed by Hawthorne, Jonathan Cilley and others

Early career

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Boston Custom House, Custom House Street, where Hawthorne worked ca.1839–1840

In 1836 Hawthorne served as the editor of the American Magazine of Useful and Entertaining Knowledge. During this time he boarded with poet Thomas Green Fessenden on Hancock Street in Beacon Hill in Boston. Hawthorne wrote in the comparative obscurity of what he called his "owl's nest" in the family home. As he looked back on this period of his life, he wrote: "I have not lived, but only dreamed about living". He contributed short stories, including "Young Goodman Brown" and "The Minister's Black Veil", to various magazines and annuals, though none drew major attention to the author. Horatio Bridge offered to cover the risk of collecting these stories in the spring of 1837 into a volume, Twice-Told Tales, which made Hawthorne known locally.

He was offered an appointment as weighter and gauger at the Boston Custom House at a salary of $1,500 a year, which he accepted on January 17, 1839. During his time there, he rented a room from George Stillman Hillard, business partner of Charles Sumner.

Marriage and family

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Julian and Una Hawthorne circa 1850

While at Bowdoin, Hawthorne bet his friend Jonathan Cilley a bottle of Madeira wine that Cilley would get married before he did. By 1836 he had won the wager, but did not remain a bachelor for life. After public flirtations with local women Mary Silsbee and Elizabeth Peabody, he began pursuing the latter's sister, illustrator and transcendentalist Sophia Peabody. Seeking a possible home for himself and Sophia, he joined the transcendentalist Utopian community at Brook Farm in 1841 not because he agreed with the experiment but because it helped him save money to marry Sophia. He paid a $1,000 deposit and was put in charge of shoveling the hill of manure referred to as "the Gold Mine". He left later that year, though his Brook Farm adventure would prove an inspiration for his novel The Blithedale Romance.

Hawthorne married Sophia Peabody on July 9, 1842, at a ceremony in the Peabody parlor on West Street in Boston. The couple moved to The Old Manse in Concord, Massachusetts, where they lived for 3 years. His neighbor, Ralph Waldo Emerson, invited him into his social circle, but Hawthorne was almost pathologically shy and stayed silent when at gatherings. At the Old Manse, Hawthorne wrote most of the tales collected in Mosses from an Old Manse.

Like Hawthorne, Sophia was a reclusive person. Throughout her early life, she had frequent migraines and underwent several experimental medical treatments. She was mostly bedridden until her sister introduced her to Hawthorne, after which her headaches seem to have abated. The Hawthornes enjoyed a long and happy marriage. Of his wife, whom he referred to as his "Dove", Hawthorne wrote that she "is, in the strictest sense, my sole companion; and I need no other—there is no vacancy in my mind, any more than in my heart... Thank God that I suffice for her boundless heart!" Sophia greatly admired her husband's work. In one of her journals, she wrote: "I am always so dazzled and bewildered with the richness, the depth, the ... jewels of beauty in his productions that I am always looking forward to a second reading where I can ponder and muse and fully take in the miraculous wealth of thoughts".

On the 1st anniversary of the Hawthornes' marriage, poet Ellery Channing came to the Old Manse for help. A local teenager named Martha Hunt had drowned herself in the river and Hawthorne's boat, Pond Lily, was needed to find her body. Hawthorne helped recover the corpse, which he described as "a spectacle of such perfect horror... She was the very image of death-agony." The incident later inspired a scene in his novel The Blithedale Romance.

Nathaniel and Sophia Hawthorne had 3 children. Their eldest, a daughter, was born March 3, 1844. She was named Una, a reference to The Faerie Queene, to the displeasure of family members. Hawthorne wrote to a friend, "I find it a very sober and serious kind of happiness that springs from the birth of a child... There is no escaping it any longer. I have business on earth now, and must look about me for the means of doing it." In 1846, their son Julian was born. Hawthorne wrote to his sister Louisa on June 22, 1846, with the news: "A small troglodyte made his appearance here at ten minutes to six o'clock this morning, who claimed to be your nephew". Their final child, Rose, was born in May 1851. Hawthorne called her "my autumnal flower".

Middle years

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Daguerrotype of Hawthorne, Whipple & Black, 1848

In April 1846, Hawthorne was officially appointed as the "Surveyor for the District of Salem and Beverly and Inspector of the Revenue for the Port of Salem" at an annual salary of $1,200. He had difficulty writing during this period, as he admitted to Longfellow: "I am trying to resume my pen... Whenever I sit alone, or walk alone, I find myself dreaming about stories, as of old; but these forenoons in the Custom House undo all that the afternoons and evenings have done. I should be happier if I could write".

Like his earlier appointment to the custom house in Boston, this employment was vulnerable to the politics of the spoils system. A Democrat, Hawthorne lost this job due to the change of administration in Washington after the presidential election of 1848. Hawthorne wrote a letter of protest to the Boston Daily Advertiser which was attacked by the Whigs and supported by the Democrats, making Hawthorne's dismissal a much-talked about event in New England. Hawthorne was deeply affected by the death of his mother shortly thereafter in late July, calling it, "the darkest hour I ever lived". Hawthorne was appointed the corresponding secretary of the Salem Lyceum in 1848. Guests that came to speak that season included Emerson, Thoreau, Louis Agassiz and Theodore Parker.

Hawthorne returned to writing and published The Scarlet Letter in mid-March 1850, including a preface which refers to his 3-year tenure in the Custom House and makes several allusions to local politicians, who did not appreciate their treatment. One of the earliest mass-produced books in America, it sold 2,500 volumes within ten days and earned Hawthorne $1,500 over 14 years. The book was immediately pirated by booksellers in London (Citation needed) and became an immediate best-seller in the United States; it initiated his most lucrative period as a writer. One of Hawthorne's friends, the critic Edwin Percy Whipple, objected to the novel's "morbid intensity" and its dense psychological details, writing that the book "is therefore apt to become, like Hawthorne, too painfully anatomical in his exhibition of them", though 20th century writer D. H. Lawrence said that there could be no more perfect work of the American imagination than The Scarlet Letter.

Hawthorne and his family moved to a small red farmhouse near Lenox, Massachusetts at the end of March 1850. Hawthorne became friends with Herman Melville beginning on August 5, 1850, when the authors met at a picnic hosted by a mutual friend. Melville had just read Hawthorne's short story collection Mosses from an Old Manse, and his unsigned review of the collection, titled "Hawthorne and His Mosses", was printed in The Literary World on August 17 and August 24. Melville, who was composing Moby-Dick at the time, wrote that these stories revealed a dark side to Hawthorne, "shrouded in blackness, ten times black". Melville dedicated Moby-Dick (1851) to Hawthorne: "In token of my admiration for his genius, this book is inscribed to Nathaniel Hawthorne."

Hawthorne's time in The Berkshires was very productive. The House of the Seven Gables (1851), which poet and critic James Russell Lowell said was better than The Scarlet Letter and called "the most valuable contribution to New England history that has been made" and The Blithedale Romance (1852), his only work written in the 1st person, were written there. He also published in 1851 a collection of short stories retelling myths, A Wonder-Book for Girls and Boys, a book he had been thinking about writing since 1846. Nevertheless, poet Ellery Channing reported that Hawthorne "has suffered much living in this place". Though the family enjoyed the scenery of The Berkshires, Hawthorne did not enjoy the winters in their small red house. They left on November 21, 1851. Hawthorne noted, "I am sick to death of Berkshire... I have felt languid and dispirited, during almost my whole residence."

The Wayside and Europe

In 1852, the Hawthornes returned to Concord. In February, they bought The Hillside, a home previously inhabited by Amos Bronson Alcott and his family, and renamed it The Wayside. Their neighbors in Concord included Emerson and Henry David Thoreau.

That year Hawthorne wrote the campaign biography of his friend Franklin Pierce, depicting him as "a man of peaceful pursuits" in the book, which he titled The Life of Franklin Pierce. Horace Mann said, "If he makes out Pierce to be a great man or a brave man, it will be the greatest work of fiction he ever wrote". In the biography, Hawthorne depicted Pierce as a statesman and soldier who had accomplished no great feats because of his need to make "little noise" and so "withdrew into the background". He also left out Pierce's drinking habits despite rumors of his alcoholism, and emphasized Pierce's belief that slavery could not "be remedied by human contrivances" but would, over time, "vanish like a dream".

With Pierce's election as President, Hawthorne was rewarded in 1853 with the position of United States consul in Liverpool shortly after the publication of Tanglewood Tales. The role, considered the most lucrative foreign service position at the time, was described by Hawthorne's wife as "second in dignity to the Embassy in London". In 1857, his appointment ended at the close of the Pierce administration and the Hawthorne family toured France and Italy. During his time in Italy, the previously clean-shaven Hawthorne grew a bushy mustache.

The family returned to The Wayside in 1860, and that year saw the publication of The Marble Faun, his first new book in 7 years. Hawthorne admitted he had aged considerably, referring to himself as "wrinkled with time and trouble".

Later years and death

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Grave of Nathaniel Hawthorne.

At the outset of the American Civil War, Hawthorne traveled with William D. Ticknor to Washington, D.C.. There, he met Abraham Lincoln and other notable figures. He wrote about his experiences in the essay "Chiefly About War Matters" in 1862.

Hawthorne had a particularly close relationship with his publishers William Ticknor and James Thomas Fields. Hawthorne once told Fields, "I care more for your good opinion than for that of a host of critics". In fact, it was Fields who convinced Hawthorne to turn The Scarlet Letter into a novel rather than a short story. Ticknor handled many of Hawthorne's personal matters, including the purchase of cigars, overseeing financial accounts, and even purchasing clothes. Ticknor died with Hawthorne at his side in Philadelphia in 1864; Hawthorne was left, according to a friend, "apparently dazed".

Failing health prevented him from completing several more romances. Suffering from pain in his stomach, Hawthorne insisted on a recuperative trip with his friend Franklin Pierce, though his neighbor Bronson Alcott was concerned Hawthorne was too ill. While on a tour of the White Mountains, Hawthorne died in his sleep on May 19, 1864, in Plymouth, New Hampshire. Pierce sent a telegram to Elizabeth Peabody to inform Hawthorne's wife in person; she was too saddened by the news to handle the funeral arrangements herself.

Hawthorne's son Julian, at the time a freshman at Harvard College, learned of his father's death the next day; coincidentally, it was the same day he was initiated into the Delta Kappa Epsilon fraternity by being placed blindfolded into a coffin.

Hawthorne was buried on what is now known as "Authors' Ridge" in Sleepy Hollow Cemetery, Concord, Massachusetts. Pallbearers included Longfellow, Emerson, Holmes, Alcott, Fields, and Edwin Percy Whipple. Emerson wrote of the funeral: "I thought there was a tragic element in the event, that might be more fully rendered,—in the painful solitude of the man, which, I suppose, could no longer be endured, & he died of it."

His wife Sophia and daughter Una were originally buried in England. However, in June 2006, they were re-interred in plots adjacent to Hawthorne.

Writing

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Statue of Hawthorne in Salem, Massachusetts

Much of Hawthorne's writing centers on New England, many works featuring moral allegories with a Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, Dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity.

Literary style and themes

Hawthorne's works belong to romanticism or, more specifically, dark romanticism, cautionary tales that suggest that guilt, sin, and evil are the most inherent natural qualities of humanity. Many of his works are inspired by Puritan New England, combining historical romance loaded with symbolism and deep psychological themes, bordering on surrealism. His depictions of the past are a version of historical fiction used only as a vehicle to express common themes of ancestral sin, guilt and retribution. His later writings also reflect his negative view of the Transcendentalism movement.

Hawthorne was predominantly a short story writer in his early career. Upon publishing Twice-Told Tales, however, he noted, "I do not think much of them", and he expected little response from the public. His 4 major romances were written between 1850 and 1860: The Scarlet Letter (1850), The House of the Seven Gables (1851), The Blithedale Romance (1852) and The Marble Faun (1860). Another novel-length romance, Fanshawe was published anonymously in 1828. Hawthorne defined a romance as being radically different from a novel by not being concerned with the possible or probable course of ordinary experience. In the preface to The House of the Seven Gables, Hawthorne describes his romance-writing as using "atmospherical medium as to bring out or mellow the lights and deepen and enrich the shadows of the picture."

Hawthorne also wrote non-fiction. In 2008, The Library of America selected Hawthorne's "A Collection of Wax Figures" for inclusion in its 2-century retrospective of American True Crime.

Criticical reputarion

Edgar Allan Poe wrote important and somewhat unflattering reviews of both Twice-Told Tales and Mosses from an Old Manse. Poe's negative assessment was partly due to his own contempt of allegory and moral tales, and his chronic accusations of plagiarism, though he admitted, "The style of Hawthorne is purity itself. His tone is singularly effective — wild, plaintive, thoughtful, and in full accordance with his themes... We look upon him as one of the few men of indisputable genius to whom our country has as yet given birth".

Ralph Waldo Emerson wrote that "Nathaniel Hawthorne's reputation as a writer is a very pleasing fact, because his writing is not good for anything, and this is a tribute to the man". Henry James praised Hawthorne, saying, "The fine thing in Hawthorne is that he cared for the deeper psychology, and that, in his way, he tried to become familiar with it". Poet John Greenleaf Whittier wrote that he admired the "weird and subtle beauty" in Hawthorne's tales. Evert Augustus Duyckinck said of Hawthorne: "Of the American writers destined to live, he is the most original, the one least indebted to foreign models or literary precedents of any kind".

Contemporary response to Hawthorne's work praised his sentimentality and moral purity while more modern evaluations focus on the dark psychological complexity. Beginning in the 1950s, critics have focused on symbolism and didacticism.

Statue of Nathaniel Hawthorne (1804-1864), Springfield, Massachusetts. Statue by Bela Pratt (1867-1917), Photo by Daderot, 2007. Courtesy Wikimedia Commons.

Critic Harold Bloom has opined that only Henry James and William Faulkner challenge Hawthorne's position as the greatest American novelist, although he admits that he favours James as the greatest. Bloom sees Hawthorne's greatest works to be principally The Scarlet Letter followed by The Marble Faun and certain short stories including "My Kinsman, Major Molineux", "Young Goodman Brown", "Wakefield" and "Feathertop".

Recognition

Hawthorne's birthplace in Salem is preserved and open to the public.

A statue of Hawthorne by sculptor Bela Pratt (1867-1917) was erected in Salem.

In popular culture

Longfellow wrote a tribute poem to Hawthorne, published in 1866, called "The Bells of Lynn".

Publications

Poetry

• Poems (edited by Richard H. Peck). Charlottesville, VA: University Press of Virginia, 1967.

Novels

• Fanshawe: A tale. Boston: Marsh & Capen, 1828; New York: Thomas Y. Crowell, 1902.
• The Scarlet Letter: A romance. Boston: Ticknor, Reed, & Fields, 1850. (2 editions, with slight textual changes, and a third edition from new plates, in the same year). London: Routledge, 1851.
• The House of the Seven Gables: A romance. Boston: Ticknor & Fields, 1851; London: Routledge, 1851.
• The Blithedale Romance. Boston: Ticknor, Reed, & Fields, 1852; London: Chapman & Hall, 1852.
• The Marble Faun; or, The romance of Monte Beni. (2 volumes). Boston: Ticknor & Fields, 1860 (the second edition in the same year has five additional pages at the end of vol. 2) Volume I, Volume II
  • published in Europe as Transformation; or, The romance of Monte Benie. (2 volumes), Leipzig: Tauchnitz, 1860.
• The Dolliver Romance. 1863. (unfinished; see Short fiction)
• Septimius, a Romance (edited by Una Hawthorne & Robert Browning). Berlin: A. Asher, 1872; London: Henry S. King, 1872
  • published in U.S. as Septimius Felton; or, The elixir of life. Boston: J.R. Osgood, 1872.
• Dr. Grimshawe’s Secret: A romance (edited by Julian Hawthorne). Boston: J.R. Osgood, 1882; London: Longmans Green, 1883.

Short fiction

• Twice-Told Tales. Boston: 1837. London: 1851. Bielefeld: 1852.
  • (2 volumes), Boston: James Munroe, 1842; London: 1849. (Vol. II contains stories not in 1837 edition)
• Time’s Portraiture; being the carrier’s address to the patrons of the 'Salem Gazette' for the first of January, 1838. Salem, MA: 1838. Reprinted in the Salem Gazette, 2 January 1838.
• The Celestial Railroad. Boston: Wilder, 1843. Lowell, MA: D. Skinner, 1847
  • also published as A Visit to the Celestial City. Philadelphia: American Sunday-School Union, 1844.
• Mosses from an Old Manse, and other stories. (2 volumes), New York: Wiley & Putnma, 1846. * The Snow-Image, and Other Tales. London: H.G. Bohn, 1851
  • published in U.S. as The Snow-Image, and other twice-told tales. Boston: Ticknor, Reed, & Fields, 1852.
• Pansie: A fragment; the last literary effort of Nathaniel Hawthorne. London: John Camden Hotten, 1864.
• The Dolliver Romance, and other pieces. Boston: J.R. Osgood, 1876.
• The Great Stone Face, and other tales of the White Mountains. Boston: Houghton Mifflin, 1889.
• Hawthorne's Short Stories (edited by Newton Arvin). New York Knopf / Random House, 1946,
• Complete Short Stories. Garden City, NY: Doubleday (Hanover House), 1959.
• Tales and Sketches. New York: Library of America, 1982.

Non-fiction

• The Life of Franklin Pierce. Boston, 1852. London, 1853. Included in a shorter form in Sketches and Studies, 1883.
• Our Old Home. Boston: Houghton Mifflin, 1863; (2 volumes), London: Smith, Elder, 1864; London: Chatto & Windus, 1890.
• Sketches and Studies. Boston: Houghton Mifflin, 1883.

Juvenile

• "A Rill from the Town Pump." New England magazine. (June, 1835); London: W. & F.G. Cash, for the Albion Society, 1857.
• The Gentle Boy; A Thrice-Told Tale (illustrated by Sophia Peabody). Boston: Weeks, Jordon / New York & London: Wiley & Putnam, 1839.
• Grandfather’s Chair: A history for youth. Boston and New York, 1841
  • Revised and enlarged. Boston, 1842. Louisville, Kentucky, 1882.
  • Grandfather's Chair: True stories from history. New York & London: Standard, 1931; New York: Arcadia House, 1950.
• Famous Old People; being the second epoch of Grandfather’s Chair. Boston: E.P Peabody, 1841.
• Liberty Tree; with the last words of Grandfather’s Chair. Boston: E.P Peabody, 1841; revised edition, Boston: Tappan & Dennett, 1842.
• Biographical Stories for Children. Boston, 1842, 1886. London, 1883. *Grandfather’s Chair and Biographical Stories were bound in 2 volumes. in 1842, with the title Historical Tales for Youth.
• True Stories from History and Biography. Boston: Ticknor, Reed, & Fields, 1851 (a new edition, revised, in the same year). London: Walter Scott 1851.
• A Wonder-Book for Girls and Boys. Boston: Ticknor & Fields, 1852; London: Walter Scott, 1852
• Tanglewood Tales for Girls and Boys: A second wonder book. Boston: Ticknor, Reed, & Fields, 1853.

Collected editions

• Works (edited by George Parsons Lathrop). St. Clair Shores, MI: Scholarly Press, 1970.
• Complete Works. Boston & New York: Houghton Mifflin, 1882-1891.
• Complete Writings. Boston & New York: Houghton Mifflin, 1900.

Edited

• American Magazine of Useful Knowledge. Boston, 1836. Vol. II, Nos. 7–12, Mar.-Aug. [edited by Hawthorne, and largely written by him and his sister Elizabeth.]
• Horatio Bridge, Journal of an African Cruiser: Comprising sketches of the Canaries, the Cape de Verdes, Liberia, Madeira, Sierra Leone, and other places of interest on the West Coast of Africa; by an officer of the U.S. Navy. New York & London: Wiley & Putnam, 1845; Aberdeen: G. Clark & Son / London: S. Richardson, 1848.

Letters and journals

• Passages from the American Note-Books (edited by Sophia Hawthorne). (2 volumes) Boston : Houghton Mifflin, 1868; London: Smith, Elder, 1868. Volume I
• Passages from the English Note-Books (edited by Sophia Hawthorne). (2 volumes), Boston: Fields Osgood, 1870; London: Strahan, 1870. Leipzig:Tauchnitz, 1871.
• Passages from the French and Italian Note-Books (edited by Sophia Hawthorne). (2 volumes). London: Strahan, 1871. Boston, J.R. Osgood, 1872.
• Love Letters, 1839-1863. Chicago: Society of the Dofobs, 1907.
• The American Notebooks (edited by Randall Stuart). New Haven, CT: Yale University Press, 1932.
• Letters (edited by Thomas Woodson; L Neal Smith; Norman Holmes Pearson). Columbus, OH: Columbus University Press, 1984-
  • The Letters, 1813-1843, 1984.
  • The Consular Letters, 1853-1855, 1988
  • The Consular Letters, 1856-1857, 1988

Except where noted, bibliographical information courtesy WorldCat.

Selected short stories

• "Roger Malvin's Burial" (1832)
• "My Kinsman, Major Molineux" (1832)
• "Young Goodman Brown" (1835)
• "The Gray Champion" (1835)
• "The White Old Maid" (1835)
• "Wakefield" (1835)
• "The Ambitious Guest" (1835)
• "The Minister's Black Veil" (1836)
• "The Man of Adamant" (1837)
• "The Maypole of Merry Mount" (1837)
• "The Great Carbuncle" (1837)
• "Dr. Heidegger's Experiment" (1837)
• "A Virtuoso's Collection" (May 1842)
• "The Birth-Mark" (March 1843)
• "Egotism; or, The Bosom-Serpent" (1843)
• "The Artist of the Beautiful" (1846)
• "Rappaccini's Daughter" (1844)
• "P.'s Correspondence" (1845)
• "Ethan Brand" (1850)
• "Feathertop" (1852)

See also

The Ocean by Nathaniel Hawthorne

• List of U.S. poets

References

• Cheever, Susan. American Bloomsbury: Louisa May Alcott, Ralph Waldo Emerson, Margaret Fuller, Nathaniel Hawthorne, and Henry David Thoreau; Their Lives, Their Loves, Their Work. Detroit: Thorndike Press, 2006. Large print edition. ISBN 0-7862-9521-X.
• Crews, Frederick. The Sins of the Fathers: Hawthorne's Psychological Themes. Berkeley: University of California Press, 1966; reprinted 1989. ISBN 0-520-06817-3.
• Madison, Charles A. Irving to Irving: Author-Publisher Relations 1800–1974. New York: R. R. Bowker Company, 1974.
• McFarland, Philip. Hawthorne in Concord. New York: Grove Press, 2004. ISBN 0-8021-1776-7.
• Mellow, James R. Nathaniel Hawthorne in His Times. Boston: Houghton Mifflin Company, 1980. ISBN 0-365-27602-0 Template:Please check ISBN.
• Miller, Edwin Haviland. Salem Is My Dwelling Place: A Life of Nathaniel Hawthorne. Iowa City: University of Iowa Press, 1991. ISBN 0-87745-332-2.
• Porte, Joel. The Romance in America: Studies in Cooper, Poe, Hawthorne, Melville, and James. Middletown, Conn.: Wesleyan University Press, 1969.
• Schreiner, Samuel A., Jr. The Concord Quartet: Alcott, Emerson, Hawthorne, Thoreau, and the Friendship that Freed the American Mind. Hoboken, NJ: John Wiley and Sons, 2006. ISBN 0-471-64663-6.
• Wineapple, Brenda. Hawthorne: A Life. Random House: New York, 2003. ISBN 0-8129-7291-0.

Fonds

• Hawthorne Family Papers, ca. 1825–1929, housed in the Department of Special Collections at Stanford University Libraries
• The Phillips Library of The Peabody Essex Museum in Salem, Massachusetts owns several well-known Hawthorne related manuscript collections.

Notes

External links

Poems

• "The Ocean"
• Nathaniel Hawthorne 1804-1864 at the Poetry Foundation
• Nathaniel Hawthorne 2 poems at the Academy of American Poets
• Nathaniel Hawthorne at PoemHunter (7 poems)
• Nathaniel Hawthorne at Poetry Nook (27 poems)

Prose

• Biography and works at the Literature Network

Audio / video

• WBUR's celebration of Nathaniel Hawthorne at 200
• Nathaniel Hawthorne at C-SPAN's American Writers: A Journey Through History

Books

• Eldred's Hawthorne site at Eldritch Press
• Legends of the Province House and Other Twice Told Tales, text and images
• Works by Nathaniel Hawthorne at Project Gutenberg
• Works by or about Nathaniel Hawthorne in libraries (WorldCat catalog)
• Passages from the American Note-Books, by Nathaniel Hawthorne, edited by Sophia Hawthorne, 1868, Boston: Houghton, Mifflin, 1883 (volume IX of the 13-volume Riverside Edition of the Complete Works of Nathaniel Hawthorne).
• Joint diary of Sophia and Nathaniel Hawthorne at the The Morgan Library & Museum
• Nathaniel Hawthorne at Amazon.com

About

• Nathaniel Hawthorne in the Encyclopædia Britannica
• Nathaniel Hawthorne at Biography.com
• The Hawthorne in Salem website
• Herman Melville's appreciation, "Hawthorne and His Mosses" (1851)
• Henry James's book-length study, Hawthorne (1879)
  • Second copy at Project Gutenberg
• Booknotes interview with Brenda Wineapple on Hawthorne: A Life, January 4, 2004.
• Hawthorne: Science, Progress, and Human Nature, series of essays on Hawthorne stories at The New Atlantis.

Etc.

• Hawthorne Community Association and boyhood home in Raymond, Maine
• The Wayside in Concord, Massachusetts
• The House of the Seven Gables in Salem, Massachusetts