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Paralipsis (παράλειψις) also spelled paraleipsis or paralepsis, and known also as praeteritio, preterition, cataphasis (κατάφασις), antiphrasis (ἀντίφρασις), or parasiopesis (παρασιώπησις), is a rhetorical device wherein the speaker or writer invokes a subject by denying that it should be invoked. As such, it can be seen as a rhetorical relative of irony. Paralipsis is usually employed to make a subversive ad hominem attack.

The device is typically used to distance the speaker from unfair claims, while still bringing them up. For instance, a politician might say, "I don't even want to talk about the allegations that my opponent is a drunk."

Proslepsis is an extreme kind of paralipsis that gives the full details of the acts one is claiming to pass over; for example, "I will not stoop to mentioning the occasion last winter when our esteemed opponent was found asleep in an alleyway with an empty bottle of vodka still pressed to his lips."[1]

Examples[]

Paralipsis was often used by Cicero in his orations, such as "I will not even mention the fact that you betrayed us in the Roman people by aiding Catiline."

"It would be superfluous in me to point out to your lordship that this is war."
Charles Francis Adams, U.S. Ambassador to Britaindispatch to Earl Russell, 5 September 1863, concerning Britain's relations with the Confederacy.

A more positive usage of paralipsis/paralepsis embodies the narrative style of Adso of Melk in Umberto Eco's The Name of the Rose, where the character fills in details of early fourteenth-century history for the reader by stating it is unnecessary to speak of them.[2]

References[]

  1. Burton, Gideon O. "paralipsis". Silva Rhetoricae: The Forest of Rhetoric. Brigham Young University. http://humanities.byu.edu/rhetoric/Figures/P/paralipsis.htm. Retrieved 1 June 2011. 
  2. Eco, Umberto (1984). "Postscript to the Name of the Rose". The Name of the Rose. Translated by William Weaver. San Diego: Harcourt Brace Jovanovich. p. 39.  Eco and Weaver use the spelling paralepsis or "passing over" for the phenomenon.


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