Paul Goodman

Paul Goodman (September 9, 1911 – August 2, 1972) was an American poet, novelist, playwright, and essayist, now best known as a social critic, anarchist philosopher, and public intellectual.

Paul Goodman (1911-1972). Courtesy NNDB.

Paul Goodman
Born	September 9, 1911(1911-Template:MONTHNUMBER-09) New York City, United States
Died	August 2, 1972(1972-Template:MONTHNUMBER-02) (aged 60) North Stratford, New Hampshire, U.S.
Occupation	writer
Nationality	American
Influences Otto Rank
Influenced Bob Black, Kevin Carson, Ivan Illich

Life

Overview

The author of dozens of books including Growing Up Absurd and The Community of Scholars, Goodman was an activist on the pacifist Left in the 1960s and a frequently cited inspiration to the student movement of that decade. A lay therapist for a number of years, he was a co-founder of Gestalt Therapy in the 1940s and '50s.

Though often thought of as a sociologist, he vehemently denied being one in a presentation in the Experimental College at San Francisco State in 1964, and in fact said he could not read sociology because it was too often lifeless.

Youth

Goodman was born in New York City to Augusta and Barnett Goodman, both immigrants. He had a Hebrew school education, and graduated 1st in his class at Townsend Harris High School. His brother Percival Goodman, with whom Paul frequently worked, was an architect especially noted for his many synagogue designs.

As a child, Goodman freely roamed the streets and public libraries of his native New York City, experiences which later inspired his radical concept of "the educative city". He graduated from the City College of New York in 1932 and earned a Ph.D. work at the University of Chicago in 193[9?]. (He was not officially awarded his Ph.D. until 1953, for a dissertation which was later published by the University of Chicago Press as The Structure of Literature.)

Career

Goodman was a prolific writer of essays, fiction, plays, and poetry. Although he began writing short stories by 1932, his earliest novel, The Grand Piano, was not published until 1942. It was later subsumed as Book I of his longest novel, The Empire City, which he continued to publish in sections until it was finally issued in one volume by Bobbs-Merrill in 1959.

In the mid-1940s, together with C. Wright Mills and others, he contributed to Politics, the journal edited during the 1940s by Dwight Macdonald. In 1947, he published two books, Kafka's Prayer, a study of Franz Kafka, and Communitas, a classic study of urban design co-authored with his brother Percival Goodman. Though he continued to write and publish regularly throughout the next two decades, a wider audience, and a degree of public recognition, came only with the 1960 publication of his Growing Up Absurd: Problems of Youth in the Organized System.

Goodman knew and worked with many of the so-called New York intellectuals, including Daniel Bell, Norman Mailer, Irving Howe, Alfred Kazin, Norman Podhoretz, Mary McCarthy, Lionel Trilling, and Philip Rahv. In addition to Politics, his writings appeared in Partisan Review, The New Republic, Commentary, The New Leader, Dissent and the New York Review of Books.

Goodman was strongly influenced by Otto Rank's "here-and-now" approach to psychotherapy, fundamental to Gestalt therapy, as well as Rank's post-Freudian book Art and Artist (1932). In the late 1940s, Fritz Perls asked Goodman to write up the notes which were to become the seminal work for the new therapy, Part II of Perls, Goodman, and Hefferline (1951) Gestalt Therapy: Excitement and Growth in the Human Personality. A year later, Goodman would become one of the Group of Seven - Fritz and Laura Perls, Isadore From, Goodman, Elliot Shapiro, Paul WeissTemplate:Disambiguation needed, Richard Kitzler - who were the founding members of the New York Institute for Gestalt Therapy.

Goodman wrote on a wide variety of subjects; including education, Gestalt Therapy, city life and urban design, children's rights, politics, literary criticism, and many more. In an interview with Studs Terkel, Goodman said "I might seem to have a number of divergent interests — community planning, psychotherapy, education, politics — but they are all one concern: how to make it possible to grow up as a human being into a culture without losing nature. I simply refuse to acknowledge that a sensible and honorable community does not exist."

He was equally at home with the avant-garde and with classical texts, and his fiction often mixes formal and experimental styles. The style and subject matter of Goodman's short stories influenced those of Guy Davenport (Citation needed).

In 1967, Goodman's son Matthew died in a mountain climbing accident. Paul's friends claimed that he never recovered from the resulting grief, and his health began to deteriorate. He died of a heart attack at his farm in New Hampshire just before his 61st birthday. He was survived by his 2nd wife, Sally, as well as two daughters.

Thought

Goodman himself described his politics as anarchist, his love as bisexual, and his profession as that of "man of letters". Hayden Carruth wrote: "Any page of Paul Goodman will give you not only originality and brilliance but wisdom — that is, something to think about. He is our peculiar, urban, twentieth-century Thoreau, the quintessential American mind of our time."

On education

Paul Goodman was an important anarchist critic of contemporary educational systems as can be seen in his books Growing Up Absurd and Compulsory Mis-education. Goodman believed that in contemporary societies "It is in the schools and from the mass media, rather than at home or from their friends, that the mass of our citizens in all classes learn that life is inevitably routine, depersonalized, venally graded; that it is best to toe the mark and shut up; that there is no place for spontaneity, open sexuality and free spirit. Trained in the schools they go on to the same quality of jobs, culture and politics. This is education, miseducation socializing to the national norms and regimenting to the nation's 'needs'".

Goodman thought that a person's most valuable educational experiences occur outside the school. Participation in the activities of society should be the chief means of learning. Instead of requiring students to succumb to the theoretical drudgery of textbook learning, Goodman recommends that education be transferred into factories, museums, parks, department stores, etc, where the students can actively participate in their education... The ideal schools would take the form of small discussion groups of no more than twenty individuals. As has been indicated, these groups would utilize any effective environment that would be relevant to the interest of the group. Such education would be necessarily non-compulsory, for any compulsion to attend places authority in an external body disassociated from the needs and aspirations of the students. Moreover, compulsion ... impedes the students' ability to learn." As far as the current educational system Goodman thought that "The basic intention behind the compulsory attendance laws is not only to insure the socialization process but also to control the labour supply quantitatively within an industrialized economy characterized by unemployment and inflation. The public schools and universities have become large holding tanks of potential workers".

Radical politics

After having been a strong advocate of the student movement during most of the 1960s, Goodman eventually became a staunch critic of the ideological harshness the New Left embraced toward the end of the decade. In New Reformation (1970), his tenth book of social criticism, he argued that the "alienation" and existential rage of 1960s youth had usurped all their worthwhile political goals (e.g., the Port Huron Statement), and that therefore their tactics had become destructive. The book further situated the drama of the tumultuous 1960s in the larger context of what Goodman called "the disease of modern times". In drawing this parallel between young people's socio-historical consciousness and their political activism, Goodman made an early contribution to the argument that the philosophical underpinnings of the New Left were largely informed by postwar disenchantment with Enlightenment conceptions of science, technology, truth, knowledge, and power relations.

For instance, after a hostile exchange with student radicals who had heckled him "heatedly and rudely" at a campus appearance in 1967, Goodman wrote, "suddenly I realized that they did not believe there was a nature of things. [To them] there was no knowledge but only the sociology of knowledge. They had learned so well that physical and sociological research is subsidized and conducted for the benefit of the ruling class that they were doubtful that there was such a thing as simple truth, for instance that the table was made of wood — maybe it was plastic imitation... I had imagined that the worldwide student protest had to do with changing political and moral institutions, and I was sympathetic to this. But I now saw that we had to do with a religious crisis. Not only all institutions but all learning had been corrupted by the Whore of Babylon, and there was no longer any salvation to be got from Works."

After a life of revolutionary revelry and social criticism, Goodman's likening of the youth revolt in the 1960s to the Protestant Reformation of 1517 made up the crux of his belief about American modernity in the late 1960s: "It is evident that, at present, we are not going to give up the mass faith in scientific technology that is the religion of modern times; and yet we cannot continue with it, as it has been perverted. So I look for a 'New Reformation.'"

Goodman participated at the 1967 Congress on the Dialectics of Liberation, held in London and coordinated by South African psychiatrist David Cooper. The Congress aimed at "creating a genuine revolutionary consciousness by fusing ideology and action on the levels of the individual and of mass society". Goodman's views on politics, social psychology, and society could be usefully compared and contrasted with those of fellow attendees Herbert Marcuse and R. D. Laing, and with those of Norman O. Brown.

In 1968, Goodman signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the Vietnam War.

Bisexuality

The freedom with which he revealed, in print and in public, his homosexual life and loves (notably in a late essay, "Being Queer"), proved to be one of the many important cultural springboards for the emerging gay liberation movement of the early 1970s.

However, his own views ran counter to the modern construction of homosexuality; it was his view that sexual relationships between males were natural, normal, and healthy. In discussing his own sexual relationships, he acknowledged that public opinion would condemn him, but countered that "what is really obscene is the way our society makes us feel shameful and like criminals for doing human things that we really need."

Quotations

• "It is by losing ourselves in inquiry, creation & craft that we become something. Civilization is a continual gift of spirit: inventions, discoveries, insight, art. We are citizens, as Socrates would have said, & we have it available as our own. "

• "We propose banning private cars from Manhattan Island ... Present congestion & parking are unworkable, & other proposed solutions are uneconomic, disruptive, unhealthy, nonurban, or impractical ..." - from "Banning Cars from Manhattan" (1961) by Paul & Percival Goodman

• How well they flew together side by side

the Stars & Stripes my red & white & blue

& my Black Flag the sovereignty of no

man or law!

- Paul Goodman, in Noam Chomsky, For Reasons of State (1973)

• "The issue is not whether people are 'good enough' for a particular type of society; rather it is a matter of developing the kind of social institutions that are most conducive to expanding the potentialities we have for intelligence, grace, sociability and freedom." - Paul Goodman (1964)

Recognition

Paul Goodman Changed My Life - official US trailer

In October 2011 a biographical documentary film, Paul Goodman Changed My Life, about Goodman by Jonathan Lee. opened.

His poem "The Lordly Hudson" was set to music by Ned Rorem.

Publications

Poetry

• Stop-light. Vinco Publishing, 1941.
• Five Young American Poets: Second series. New York: New Directions, 1945.
• The Well of Bethlehem. privately printed, c. 1950.
• Red Jacket. privately printed, c. 1956.
• The Lordly Hudson: Collected poems. New York: Macmillan, 1962.
• Day, and other poems. privately printed, c. 1960.
• Hawkweed. Random House, 1967.
• North Percy. Santa Rosa, CA: Black Sparrow, 1968.
• Homespun of Oatmeal Gray. New York: Random House, 1970.
• Collected Poems. New York: Random House, 1974.

Plays

• Childish Jokes: Crying backstage (first produced in New York by Living Theatre, August, 1951). 5 x 8 Press, 1958.
• The Cave at Machpelah (first produced in New York at Living Theatre Playhouse, June, 1959).
• Three Plays: The Young Disciple (first produced in New York by Living Theatre, October, 1955), Faustina (first produced in New York at Cherry Lane Theatre, May, 1952), Jonah (first produced in New York at American Place Theater, February, 1966). New York: Random House, 1965.
• Tragedy and Comedy: Four cubist plays. Black Sparrow, 1970.

Novels

• The Grand Piano; or, The almanac of alienation. Colt, 1942.
• State of Nature. Vanguard, 1946.
• The Dead of Spring. privately printed, 1950.
• Parents' Day. 5x8 Press, 1951; recent edition, Black Sparrow, 1985.
• The Empire City (collected novels). Bobbs-Merrill, 1959.
• Making Do. Macmillan, 1963.
• Don Juan: or, The continuum of the libido (edited by Taylor Stoehr). Black Sparrow, 1979.

Short fiction

• The Facts of Life. Vanguard, 1945.
• The Break-Up of Our Camp, and other stories. New York: New Directions, 1949.
• Our Visit to Niagara. Horizon Press, 1960.
• Adam and His Works. New York: Random House, 1968.
• The Collected Stories and Sketches of Paul Goodman (edited by Taylor Stoehr). Black Sparrow.
  • Volume 1: The Break-Up of Our Camp: Stories, 1932-1935, 1978
  • Volume 2: A Ceremonial: Stories, 1936-1940, 1978
  • Volume 3: The Facts of Life: Stories, 1940-1949, 1979
  • Volume 4: The Galley to Mytilene: Stories, 1949-1960, 1980.

Non-fiction

• (With Meyer Leben and Edward Roditi) Pieces of Three. 5x8 Press, 1942.
• Art and Social Nature (essays). Arts and Science Press, 1946.
• Kafka's Prayer (criticism). Vanguard, 1947.
• Communitas: Means of Livelihood and Ways of Life (with brother, Percival Goodman). Chicago: University of Chicago Press, 1947; Vintage, 1960.
• Gestalt Therapy (with Frederick S. Perls and Ralph Hefferline). Messner, 1951.
• The Structure of Literature (criticism). Chicago: University of Chicago Press, 1954.
• Censorship and Pornography on the Stage [&] Are Writers Shirking Their Political Duty? [New York], c. 1959.
• Growing Up Absurd: Problems of youth in the organized system. New York: Random House, 1960.
• The Community of Scholars. New York: Random House, 1962.
• Utopian Essays and Practical Proposals. New York: Random House, 1962.
• Drawing the Line. New York: Random House, 1962.
• The Society I Live in Is Mine. Horizon Press, 1963.
• Compulsory Mis-Education. Horizon Press, 1964.
• People or Personnel: Decentralizing and the mixed system. New York: Random House, 1965.
• Five Years: Thoughts during a useless time (partial autobiography). Brussell & Brussell, 1967.
• Like a Conquered Province: The moral ambiguity of America (Massey Lectures, Canadian Broadcasting Corporation). New York: Random House, 1967.
• The Open Look. Funk, 1969.
• The Individual and Culture. Dorsey, 1969.
• New Reformation: Notes of a neolithic conservative. New York: Random House, 1970.
• Speaking and Language: Defense of poetry (criticism). New York: Random House, 1971.
• Little Prayers and Finite Experience. New York: Harper, 1972.
• Drawing the Line: The political essays of Paul Goodman (edited by Taylor Stoehr). New York: Free Life Editions, 1977.
• Nature Heals: The psychological essays of Paul Goodman (edited by Taylor Stoehr). New York: Free Life Editions, 1977.
• Creator Spirit Come! The literary essays of Paul Goodman (edited by Taylor Stoehr). New York: Free Life Editions, 1977.
• The Black Flag of Anarchism. London: Kropotkin's Lighthouse, 1978.
• Crazy Hope and Finite Experience: Final essays of Paul Goodman (edited by Taylor Stoehr). San Francisco, CA: Jossey-Bass, 1994.

Edited

• Seeds of Liberation. Braziller, 1965.
• Essays in American Colonial History. New York: Holt, 1967.

Except where noted, bibliographical information courtesy the Poetry Foundation.

Ned Rorem - 4 Poems of Paul Goodman (1953)

See also

• List of U.S. poets

References

• Stoehr, Taylor, Here, Now, Next: Paul Goodman and the Origins of Gestalt Therapy.
• Widmer, Kingsely, 1980. Paul Goodman. Twayne.
• Nicely, Tom, 1979. Adam & His Work: a bibliography of sources by and about Paul Goodman (1911–1972). Scarecrow Press.
• "On Paul Goodman", in "Under the Sign of Saturn: Essays" by Susan Sontag (New York: Farrar, Straus & Giroux, 1980)
• "Artist of the Actual: Essays on Paul Goodman," edited by Peter Parisi (Metuchen, NJ, Scarecrow Press, 1986).

External links

Poems

• "The Lordly Hudson"
• Paul Goodman 1911-1972 at the Poetry Foundation
• Paul Goodman at PoemHunter (1 poem).

Prose

• The New York Review of Books - (various essays 1963-1972)
• Goodman texts online

Audio / video

• Paul Goodman at YouTube
• "The Lordly Hudson" at YouTube
• Audio of Paul Goodman on University Reform
• Paul Goodman Changed My Life (documentary film website)

Books

• Paul Goodman at Amazon.com
• Works by or about Paul Goodman in libraries (WorldCat catalog)
• Annotated Bibliography at Anarchy Archives. Accessed April 2007
• "Paul Goodman at Black Sparrow Press

About

• Paul Goodman at Anarchy Archives
• Paul Goodman at NNDB.
• Paul Goodman at eNotes
• Paul Goodman in the Anarchist Encyclopedia
• The New York Institute for Gestalt Therapy - Spotlight (dedication to Goodman)
• "Paul Goodman: Finding an Audience for Anarchism in 20th Century America" by Carissa Honeywell
• The Radical Individualism of Paul Goodman