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Rachel blau duplessis

Rachel Blau DuPlessis in 2012. Courtesy Ron Silliman's Blog.

Rachel Blau DuPlessis (born 1941) is an American poet, essayist, and academic.

Life[]

DuPlessis was born in Brooklyn, New York City. She earned a Ph.D. in 1970 from Columbia University; her dissertation was titled "The Endless Poem: "Paterson" of William Carlos Williams and "The Pisan Cantos" of Ezra Pound.

She teaches English and creative writing at Temple University. She is known as a feminist critic and scholar with a special interest in modernist and contemporary poetry.

Writing[]

Poetry[]

In conjunction with teaching and editing projects, DuPlessis has been writing her "poem of a life," called "Drafts." Among others, poet Ron Silliman has referred to DuPlessis's poem Drafts as a "life poem":

More than any other text, Drafts has made me understand the difference between the longpoem and the life poem, and I read Drafts, like (Zukofsky's “A”), like The Cantos, like Bev Dahlen’s A Reading, like my own project, as an instance of the latter.[1]

Since 1985, DuPlessis has been composing this "endless poem" in canto-like sections, grouped in nineteen units. Their themes include history, gender, mourning, and hope. The first two numbers of Drafts initially appeared in Leland Hickman’s journal, Temblor, two years before being collected into a volume entitled Tabula Rosa, published by Peter Ganick’s Potes & Poets Press.[1]

Non-fiction[]

Her non-fiction work Genders, Races, and Religious Cultures in Modern American Poetry, 1908-1934 demonstrates how, through poetic language, modernist writers represented the debates around such social issues of modernity as suffrage, sexuality, manhood, and African-American and Jewish subjectivities. DuPlessis engages with the work of such canonical poets like Wallace Stevens, Ezra Pound, T.S. Eliot, William Carlos Williams, Gertrude Stein, Marianne Moore, and H.D., as well as Mina Loy, Countee Cullen, Alfred Kreymborg and Langston Hughes. These writers are still marginalized by existing constructions of modernism. By a reading method she calls 'social philology', this book is an attempt to remap our understanding of modern poetries and poetics and the relationship between early 20th-century writing and society.

Recognition[]

Among other honors, she has received the Roy Harvey Pearce / Archive for New Poetry Prize (2002) as a scholar poet. In 2002 she was awarded a Pew Fellowship for Artists.

Publications[]

Poetry[]

  • Wells. New York: Montemora Foundation, 1980.
  • Gypsy / Moth: Keats from the 'History of Poetry'. Oakland, CA: Coincidence Press, 1984.
  • Tabula Rosa. Elmwood, CT: Potes & Poets Press, 1987.
  • Some Codas. Buffalo, NY: Poetry Collection, State University of New York at Buffalo, 2008.
  • Interstices. Cambridge, MA: Subpress, 2014.

Life poem[]

  • "Drafts 1 & 2" (in Tabula Rosa)
  • Draft X: Letters. Philadelphia: Singing Horse Press, 1991.
  • Drafts 3-14. Elmwood, CT: Potes & Poets Press, 1991.
  • Drafts 15-30: The fold. Elmwood, CT: Potes & Poets Press, 1997.
  • Draft 37: Praedelle. Ellsworth, ME: Backwoods Broadsides, 1999.
  • Drafts 1-38: Toll. Middletown, CT: Wesleyan University Press, 2001.
  • Draft 43: Gap. Brooklyn, NY: Belladonna Books / Boog Literature, 2001.
  • Draft, unnumbered: Précis. Vancouver: Nomados, 2003.
  • Drafts 39-57: Pledge (with Draft, unnumbered: Précis). Cambridge, UK: Salt, 2004.
  • Torques: Drafts 58-76. Cambridge, UK: Salt, 2007.
  • Pitch: Drafts 77-95. London: Salt, 2010.
  • The Collage Poems of Drafts. London: Salt, 2011.
  • Surge: Drafts 96-114. Cromer, Norfolk, UK: Salt, 2013.

Non-fiction[]

  • Writing Beyond the Ending: Narrative strategies of twentieth-century women writers. Bloomington, IN: Indiana University Press, 1985.
  • H.D.: The career of that struggle. Bloomington, IN: Indiana University Press, 1986.
  • The Pink Guitar: Writing as feminist practice. New York: Routledge, 1990; Tuscaloosa, AL: University of Alabama Press, 2006.
  • Genders, Races, and Religious Cultures in Modern American Poetry, 1908-1934. Cambridge, UK: Cambridge University Press, 2001. ISBN 0-521-48335-2
  • Blue Studios: Poetry and its cultural work. Tuscaloosa, AL: University of Alabama Press, 2006.
  • Purple Passages: Pound, Eliot, Zukofsky, Olson, Creeley, and the ends of patriarchal poetry. Iowa City, IA: University of Iowa Press, 2012.
  • The Oppens Remembered: Poetry, politics, and friendship. Albuquerque, NM: University of New Mexico Press, 2015.

Edited[]

  • George Oppen, The Selected Letters. Durham, NC: Duke University Press, 1990.
  • Signets: Reading H.D. (edited with Susan Stanford Friedman). Madison, WI: University of Wisconsin Press, 1990.
  • The Feminist Memoir Project: Voices from women’s liberation (edited with Ann Barr Snitow). New York: Three Rivers Press, 1998; New Brunswick, NJ: Rutgers University Press, 2007.
  • The Objectivist Nexus: Essays in Cultural Poetics (edited with Peter Quartermain). Tuscaloosa, AL: University of Alabama Press, 1999.


Except where noted, bibliographical information courtesy WorldCat.[2]

See also[]

Rachel_Blau_DuPlessis_on_Second_Avenue_by_Frank_O'Hara

Rachel Blau DuPlessis on Second Avenue by Frank O'Hara

References[]

  1. 1.0 1.1 Ron Silliman's Blog, February 18, 2008. Web, Feb. 13, 2013.
  2. Search results = au:Rachel Blau DuPlessis, WorldCat, OCLC Online Computer Library Center Inc. Web, Sep. 20, 2015.

External links[]

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