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Robert Dodsley

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Robert Dodsley (1703-1764) was an English poet, publisher, bookseller, and miscellaneous writer. He edited the best-selling poetry anthology of the 18th century.

Robert Dodsley by Edward Alcock

Robert Dodsley (1703-1764), by Edward Alcock (fl. 1745-1778). Courtesy Wikimedia Commons.

Life[]

Overview[]

Dodsley was born near Mansfield, and apprenticed to a stocking-weaver, but not liking this employment, he ran away and became a footman. While thus engaged he produced The Muse in Livery (1732). This was followed by The Toy Shop, a drama, which brought him under the notice of Pope, who befriended him, and assisted him in starting business as a bookseller. In this he became eminently successful, and acted as publisher for Pope, Johnson, and Akenside. He projected and published The Annual Register, and made a collection of Old English Plays, also of Poems by Several Hands in 6 volumes. In addition to the original works above mentioned he wrote various plays and poems, including The Blind Beggar of Bethnal Green (1741), and Cleone (1758).[1]

Family[]

Dodsley was born in 1703, probably near Mansfield, on the border of Sherwood Forest, Nottinghamshire; but there is no record of his birth in the parish register of Mansfield (Notes and Queries, 1st ser. vii. 237). His father, Robert Dodsley, kept the free school at Mansfield, and is described as a little deformed man, who, having had a large family by 1 wife, married when 75 a young girl of 17, by whom he had a child. One son, Alvory, lived many years, and died in the employment of Sir George Savile. Isaac died in his 81st year, and was gardener during 52 years to Ralph Allen of Prior Park, and Lord Weymouth of Longleat. The name of another son, John, was, with those of the father and Alvory, among the subscribers to A Muse in Livery. A younger son was James, afterwards in partnership with his elder brother.[2]

Youth[]

Harrod states that Robert Dodsley the younger was apprenticed to a stocking-weaver at Mansfield, but was so starved and ill-treated that he ran away and entered the service of a lady (History of Mansfield, 1801, p. 64).[2]

Footman[]

At one time he was footman to Charles Dartiquenave. While in the employment of the Hon. Mrs. Lowther he wrote several poems; one "An Entertainment designed for the Wedding of General Lowther and Miss Pennington." The verses were handed about and the writer made much of, but he did not lose his modest self-respect.[2]

In the Country Journal; or, The craftsman of 20 September 1729 was advertised Servitude: A poem, Dodsley's 1st publication. It consists of smoothly written verses on the duties and proper behaviour of servants. An introduction in prose, covering the same ground, is considered by Lee to have been written by Defoe (Notes and Queries, 3rd ser. ix. 141-2, and Daniel Defoe: His life, i. 449-51). Dodsley appears to have been sent by the bookseller to whom he 1st showed his verses to Defoe, who consented to write the title, preface, introduction, and postscript, the latter bantering his own tract, "Every Body's Business is No Body's Business."[2]

18 months afterwards, when Mrs. Lowther and her friends were getting subscribers for Dodsley's next volume, it was thought desirable to bring out Servitude with a new title-page, The Footman's Friendly Advice to his Brethren of the Livery ... by R. Dodsley, now a footman.[2]

2 short 'Entertainments' were printed in pamphlet form, and in 1732 included in A Muse in Livery, a volume of verse with one trifling exception. A second edition was issued in the same year as "by R. Dodsley, a footman to a person of quality at Whitehall." His lady patrons exerted themselves, and the list of subscribers exhibits a remarkable array of names, including 3 duchesses, a duke, and many other fashionable people.[2]

Dodsley next composed a dramatic satire, The Toy-shop. There must have been great charm in his manner. It captivated Defoe, and even [[Alexander Pope}Pope]], perhaps influenced by the duchesses, received the young footman in a very friendly way. When asked to read the manuscript he answered, 5 February 1732-3, "I like it as far as my particular judgment goes," and recommended it to Rich. "This little piece was acted [at Covent Garden, 3 Feb. 1735] with much success; it has great merit, but seems better calculated for perusal than representation" (Genest, Account of the English Stage, iii. 460). The hint of the plot was taken from Thomas Randolph's Conceited Pedlar (1630), who, like the toyFman, makes moral observations to his customers on the objects he sells.[2]

Bookseller[]

With the profit derived from his books and play, and the interest of Pope, who assisted him with £100 (Johnson, Lives in Works, 1823, viii. 162), and other friends, Dodsley opened a bookseller's shop at the sign of Tully's Head in Pall Mall in 1735.[2]

The King and the Miller of Mansfield was acted at Drury Lane 1 February 1737, "a neat little piece ... with much success" (Genest, iii. 492). The plot turns upon the king losing his way in Sherwood Forest, when John Cockle, the miller, receives and entertains his unknown guest, and is ultimately knighted for his generosity and honesty. A sequel, Sir John Cockle at Court,[2] was produced at the same theatre 23 February 1738.[3]

During this time Dodsley was active in his new business. In April 1737 he published Pope's First Epistle of the Second Book of Horace Imitated, and in the following month Pope made over to him the sole property in his letters. Curll, in a scurrilous epistle to Pope, 1737, says:—

Tis kind indeed a "Livery Muse" to aid,
Who scribbles farces to augment his trade.[3]

Edward Young and Mark Akenside also published with Dodsley. In May 1738, through Cave, he issued Johnson's London: A poem, and gave 10 guineas for it (Boswell, Life, i. 121-4). The next year he printed Manners,' a satire by Paul Whitehead, which "was voted scandalous by the lords, and the author and publisher ordered into custody, where Mr. Dodsley was a week, but Mr. Paul Whitehead absconds" (Gentleman's Magazine, Mag. 1739, ix. 104). Dodsley had to pay £70 in fees for his lodgings (Ben Victor, Letters, i. 33), and was only released on the petition of the Earl of Essex. Many influential persons made offers of assistance.[3]

1740's[]

There was published in 1740 The Chronicle of the Kings of England written by Nathan Ben Saddi, the forerunner of a swarm of sham chronicles in mock-biblical style. Among them are Lessons of the Day, 1742; The Chronicle of James the Nephew, 1743; Chronicles of the Duke of Cumberland, 1746; and Chronicles of Zimri the Refiner, 1753. Nathan Ben Saddi was said to be a pseudonym of Dodsley, and his chronicle, a continuation of which appeared in 1741, is, like the Economy of Human Life, reprinted in his collected Trifles. It contains the much-quoted sentence about Queen Elizabeth, "that her ministers were just, her counsellors were sage, her captains were bold, and her maids of honour ate beefstakes to breakfast." Dodsley could not have written a work showing so much wit and literary force, and Chesterfield is usually credited with the authorship.[3]

The 1st number of the Publick Register, one of the many rivals of the Gentleman's Magazine, came out on 3 January 1741, and it appeared for 24 weeks. The reason given by Dodsley for its discontinuance was "the additional expense he was at in stamping it; and the ungenerous usage he met with from one of the proprietors of a certain monthly pamphlet, who prevailed upon most of the common newspapers not to advertise it." One novel feature is a description of the counties of England, with maps by J. Cowley, continued week after week.[3]

Genest says The Blind Beggar of Bethnal Green was played at Drury Lane 3 April 1741, "a pleasing little piece by Dodsley; the dialogue is written with much neatness" (Account, iii. 629-30). It was only represented once. The songs have merit.[3]

Dodsley attempted literary fame in many branches, but among all his productions nothing is so well known as his Select Collection of Old Plays, 1744, dedicated to Sir Clement Cotterel Dormer, who probably contributed some of its contents. The great ladies who originally patronised Dodsley had not forgotten him, and the subscription list displays a host of aristocratic names. The art of collation was then unknown, and when he initially undertook the work the duties of an editor of other than classical literature were not so well understood as in more recent times.[3]

Rex et Pontifex: A new species of pantomime was not accepted by any manager, and the author printed it in 1745. The Museum, of which the 1st number was issued 29 March 1746, was projected by Dodsley. He had a quarter share of the profits, the remainder belonging to Longman, Shewell, Hitch, & Rivington. It consists chiefly of historical and social essays, and possesses considerable merit. Among the contributors were Spence, Warburton, Horace Walpole, Joseph and Thomas Warton, Akenside, Lowth, Smart, Merrick, and Campbell, whose political pieces were augmented and republished as The Present State of Europe, 1750. It was continued fortnightly to 12 September 1747.[3]

Another specimen of Dodsley's commercial originality was The Preceptor, "one of the most valuable books for the improvement of young minds that has appeared" (Boswell, Life, i. 192). Johnson supplied the preface, and The Vision of Theodore the Hermit, which he considered the best thing he ever wrote. The work is a kind of self-instructor, with essays on logic, geometry, geography, natural history, &c.[3]

Johnson says: "Dodsley first mentioned to me the scheme of an English dictionary' (Life, iii. 405, i. 182, 286); but Pope, who had some share in the original proposals, did not live to see the prospectus issued in 1747. The firm of Robert & James Dodsley was one of the 5 whose names appear on the 1st edition in 1755.[3]

The 1st edition of A Collection of Poems by several hands came out in 1748, and the publisher took great pains to obtain contributions from nearly every fashionable versifier of the day. It has been frequently reprinted and added to, and forms perhaps the most popular collection of the kind ever produced.[3]

In 1748 Dodsley collected his dramatic and some other pieces under the title of Trifles in 2 volumes, dedicated "To Morrow," who is asked to take into "consideration the author's want of that assistance and improvement which a liberal education bestows,[3] the writer hoping his productions may be honored with a favourable recommendation from you to your worthy son and successor, the Next Day."[4]

To celebrate the peace of Aix-la-Chapelle he composed a masque, which was performed at Drury Lane on 21 February 1749, with music by Dr. Arne, and Mrs. Clive as first shepherdess. Johnson's Vanity of Human Wishes and Irene were published by him in the same year.[4]

1750's[]

The 1st edition of The Economy of Human Life came out in 1750, and was for some time attributed to Dodsley. It has long been recognised to have been written by the Earl of Chesterfield (Notes and Queries, 1st ser. x. 8, 74, 318). Dodsley's connection with the publication of the first separate edition of Gray's Elegy in February 1751 has been investigated by the late E. Solly (The Bibliographer, 1884, v. 57-61).[4]

Dodsley suggested the title of the World, a well-printed miscellany of the Spectator class, for a new periodical established with the help of Moore in 1753 and produced for 4 years. It was extremely successful, both in its original form and when reprinted. Chesterfield, Horace Walpole, Soame Jenyns, the Earl of Bath, and Sir C.H. Williams were among the contributors. The last number is signed by Mary Cooper, who published many of Dodsley's books.[4]

He had long meditated an ambitious poem on agriculture, commerce, and the arts, entitled Public Virtue, of which the first part alone was published in 1753. This laboured didactic treatise in blank verse was not very favorably received, although the author assured the world that "he hath taken some pains to furnish himself with materials for the work; that he hath consulted men as well as books." It was sent to Walpole, who answered, 4 November 1753: "I am sorry you think it any trouble to me to peruse your poem again; I always read it with pleasure" (Letters, ix. 485).[4]

Johnson wrote to Warton, 21 Dec. 1754: "You know poor Mr. Dodsley has lost his wife; I believe he is much affected" (Life, i. 277). Johnson wrote for Dodsley the introduction to the London Chronicle in 1756.[4] Johnson had ever a kindly feeling for his "patron," and thought he deserved a biographer.[5]

On 2 December 1758 Dodsley's tragedy of Cleone was acted for the 1st time at Covent Garden. Garrick had rejected it as "cruel, bloody, and unnatural" (Davies, Life, i. 223), and Johnson, who supported it, "for Doddy, you know, is my patron, and I would not desert him," thought there was "more blood than brains" in it (Life, i. 325-6, iv. 20-1). The night it was produced Garrick; did his best to injure it by appearing for the 1st time as Marplot in the Busybody, and his congratulations were accordingly resented by Dodsley (Garrick Correspondence, vol. i. pp. xxxv, 79-80). Warburton, however, writing to Garrick, 18 January 1759, accuses Dodsley of being a wretched fellow, "and no man ever met with a worse return than you have done for your endeavours to serve him" (ib. i. 96). The play ran 16 nights, owing much of its popularity to the acting of Mrs. Bellamy (Apology, 1786, iii. 105-12; Genest, iv. 559-60). 2,000 copies of the 1st printed edition were sold at once, and 5 weeks later the 4th edition was being prepared. It is based upon the legend of Ste. Geneviève, translated by Sir William Lower. The original draft in 3 acts had been shown to Pope, who said that he had burnt an attempt of his own on the same subject, and recommended Dodsley to extend his own piece to 5 acts. Mrs. Siddons revived it with much success at Drury Lane, 22 and 24 November 1786.[4]

His most important commercial achievement was the foundation of the Annual Register in 1758, still published 125 years later with no great variation from its early form. Burke was paid an editorial salary of £100 for some time, and had a connection with it for 30 years. In 1758 Dodsley accompanied Spence on a tour through England to Scotland. On their way they stayed a week at the Leasowes.[4]

The Dodsleys published Goldsmith's Polite Learning in 1759, and, with Strahan and Johnson, Johnson's Rasselas in March or April of the same year. Kinnersley having produced an abstract of Rasselas in the Grand Magazine of Magazines, an injunction was sought by the publishers, and refused by the master of the rolls, 15 June 1761, on the ground that an abridgment is not piracy (Ambler, Reports of Chancery Cases, 1828, i. 402-5).[4]

Personally Dodsley is an attractive figure. As a bookseller he showed remarkable enterprise and business aptitude, and his dealings were conducted with liberality and integrity. He deserves the praise of Nichols as "that admirable patron and encourager of learning" (Lit. Anecd. ii. 402). "You know how decent, humble, inoffensive a creature Dodsley is; how little apt to forget or disguise his having been a footman," writes Walpole to George Montagu 4 May 1758 (Letters, iii. 135). A volume of his manuscript letters to Shenstone in the British Museum has written in it by the latter 22 May 1759, that Dodsley was "a person whose writings I esteem in common with the publick; but of whose simplicity, benevolence, humanity, and true politeness I have had repeated and particular experience."[5]

He had a single apprentice, John Walter (died 1803) of Charing Cross (not to be confounded with the founder of The Times of the same name). Most of the publications issued by the Dodsley brothers came from the press of John Hughs (Nichols, Lit. Anecd. v. 35).[5]

Retirement[]

In 1759 Dodsley retired in favor of his brother, whose name had been for some time included in the firm as Robert & James Dodsley, and gave himself up to the preparation of his Select Fables, which were tastefully printed by Baskerville 2 years later. The volume is in 3 books, the 1st consisting of ancient, the 2nd of modern, and the 3rd of "newly invented" fables; with a preface, and a life from the French of M. de Méziriac. The fables are decidedly inferior to those of Samuel Croxall. Writing to Graves, 1 March 1761, Shenstone says: "What merit I have there is in the essay; in the original fables, although I can hardly claim a single fable as my own; and in the index, which I caused to be thrown into the form of morals, and which are almost wholly mine. I wish to God it may sell;[4] for he has been at great expence about it. The two rivals which he has to dread are the editions of Richardson and Croxall." (Works, iii. 360-1). In a few months 2,000 were disposed of, but even this sale did not repay the outlay. He then began to prepare for a new edition, which was printed in 1764.[5]

Among the contributors to the interesting collection of Fugitive Pieces edited by him in 1761 were Burke, Spence, Lord Whitworth, and Sir Harry Beaumont. When Shenstone died, 11 February 1763, Dodsley erected a pious monument to the memory of his old friend in an edition of his works, 1764, to which he contributed a biographical sketch, a character and a description of the Leasowes. He had long been tormented by the gout, and died from an attack while on a visit to Spence at Durham on 25 Dec. 1764, in his 61st year. He was buried in the abbey churchyard at Durham.[5]

Writing[]

His early condition lent a factitious importance to some immature verse, and his unwearied endeavours for literary fame gained him a certain contemporary fame. Some of his songs have merit — "One kind kiss before we part" being still sung 100 years later — and the epigram on the words "one Prior" in Burnet's History is well known.[5] Melpomene,' an ode, which was published anonymously in 1758, is on a much higher level of thought than any other of his compositions. [4]

Miscellaneous[]

The following is a list of his works: 1. 'Servitude, a Poem, to which is prefixed an introduction, humbly submitted to the consideration of all noblemen, gentlemen, and ladies who keep many servants; also a postscript occasioned by a late trifling pamphlet, entitled "Every Body's Business is No Body's" [by D. Defoe], written by a Footman in behalf of good servants and to excite the bad to their duty,' London, T. Worrall [1729], 8vo. 2. 'The Footman's Friendly Advice to his Brethren of the Livery . . . by R. Dodsley, now a footman,' London [1731], 8vo (No. 1 with a new title-page). 3. 'An Entertainment designed for Her Majesty's Birthday,' London, 1732, 8vo. 4. 'An Entertainment designed for the Wedding of Governor Lowther and Miss Pennington,' London, 1732, 8vo. 5. 'A Muse in Livery, or the Footman's Miscellany,' London, printed for the author, 1732, 8vo (second edition 'printed for T. Osborn and T. Nourse,' 1732, 8vo, not so well printed as the first). 6. 'The Toy-shop, a Dramatick Satire,' London, 1735, 8vo (reprinted). 7. 'The King and the Miller of Mansfield, a Dramatick Tale,' London, printed for the author at Tully's Head, Pall Mall [1737], 8vo (reprinted). 8. 'Sir John Cockle at Court, being the sequel of the King and the Miller of Mansfield,' London, printed for R. Dodsley and sold by M. Cooper, 1738, 8vo. 9. 'The Blind Beggar of Bethnal Green,' London, 1741, 8vo. 10. 'The Publick Register, or the Weekly Magazine,' London, 1741, 4to (Nos. 1 to 24, from Saturday, 3 Jan. 1741 to 13 June 1741). 11. 'Pain and Patience, a Poem,' London, 1742, 4to (dedicated to Dr. Shaw). 12. 'Colin's Kisses, being twelve new songs design'd for music,' London, 1742, 4to (see Notes and Queries, 3rd ser. ix. 220; the words reprinted by Chalmers). 13. 'A Select Collection of Old Plays,' London, 1744, 12 vols. 12mo (with introduction on the history of the stage reprinted in "second edition, corrected and collated with the old copies, with notes by Isaac Reed," London, J. Dodsley, 1780, 12 vols. 8vo, 12 plays rejected and 10 added, see Gent. Mag. 1. 237-8. 'A new edition [the third] with additional notes and corrections by the late Isaac Reed, Octavius Gilchrist, and the editor' [J. P. Collier], London, 1825-8, 13 vols. sm. 8vo, including supplement. 'Fourth edition, now first chronologically arranged, revised, and enlarged, with the notes of all the commentators and new notes, by W. Carew Hazlitt,' London, 1874-6, 15 vols. 8vo). 14. 'Rex et Pontifex, being an attempt to introduce upon the stage a new species of pantomime,' London, 1745, 4to. 15.[5] 'The Museum, or the Literary and Historical Register,' London, 1746-7, 3 vols. 8vo (No. 1, Saturday, 29 March 1746, to No. 39, 12 Sept, 1747). 16. 'The Preceptor, containing a general course of education,' London, 1748, 2 vols. 8vo (reprinted). 17. A Collection of Poems by Several Hands, London, 1748, 3 vols. 12mo. A 2nd edition with considerable additions and some omissions the same year; a fourth volume was added in 1749. A 4th edition, of 4 vols., appeared in 1755. The 5th and 6th volumes were added in 1758. Other editions of the 6-vol. set were published in , 1765, 1770, 1775, 1782. Pearch, Mendez, Fawkes, and others produced supplements. For the contributors see Gent. Mag. 1. 122-4, 173-6, 214, 406-8, and Notes and Queries, 3rd ser. xi. 172; see also 1st ser. ii. 264, 343, 380, 485; 2nd ser. i. 151, 237, ii. 274, 315). 18. 'The Art of Preaching, in imitation of Horace's Art of Poetry,' London, n. d. folio (anonymous, but attributed to Dodsley by Chalmers, who includes it in his collection; the authorship is doubtful). 19. 'Trifles,' London, 1748, 2 vols. 8vo; 2nd edit. 1777, 2 vols. 8vo, with portrait (reprint of pieces issued separately). 20. 'The Triumph of Peace, a masque perform'd at the Theatre Royal in Drury Lane on occasion of the General Peace concluded at Aix-la-Chapelle,' London, 1749, 4to (Chalmers was unable to obtain a copy). 21. 'The World,' London, 1753-6, 4 vols. fol. (No. 1, Thursday, 4 Jan. 1753, to No. 209, 30 Dec. 1756; frequently reprinted in 8vo; No. 32 by Dodsley; for an account of the contributors see N. Drake, Essays illustrative of the Rambler, &c. 1810, ii. 253-316). 22. 'Public Virtue, a Poem, in three books—i. Agriculture, ii. Commerce, iii. Arts,' London, 1753,4to (only book i. published). 23. 'Melpomene, or the Regions of Terror and Pity, an Ode,' London, 1757, 4to (without name of author, printer, or publisher). 24. 'Cleone, a Tragedy as it is acted at the Theatre Royal in Covent Garden,' London, 1758, 8vo (5th edit. 1786). 25. 'Select Fables of Esop and other Fabulists, in three books,' Birmingham, printed by J. Baskerville for R. & J. Dodsley, 1761, 12mo (2nd edit. 1764, by Baskerville, eighteen pages less and inferior in appearance). 26. 'Fugitive Pieces on various subjects,' by several authors, London, 1761, 2 vols. 8vo (reprinted; see Nichols, Lit. Anecd. ii. 373-80). 27. 'The Works in Verse and Prose of William Shenstone, most of which were never before printed,' London, 1764, 2 vols. 8vo.[6]

Recognition[]

"Mr. Dodsley (the bookseller)" was among Sir Joshua Reynolds's sitters in April 1760 (C.R. Leslie & Tom Taylor's Life, 1865, i. 187). Writing to Shenstone 24 June he says: "My face is quite finished and I believe very like" (Hull, Select Letters, ii. 110). The picture was engraved by Ravenet and prefixed to the collected Trifles, 1777.[5]

Publications[]

Poetry[]

Plays[]

  • The King and the Miller of Mansfield: A dramatick tale. London: R. Dodsley, 1737; Belfast: James MaGee, 1747; Edinburgh: James Reid, 1753
    • printed in U.S. as The King and the Miller of Mansfield: A farce. Boston: Apollo Press by Belknap & Hall, for William P. Blake, 1794.
  • Sir John Cockle at Court: Being a sequel to 'The king and the miller of Mansfield. London: printed for R. Dodsley, & sold by T. Cooper, 1738; Dublin: George Faulkner, 1738; Belfast: James Magee, 1753.
  • The Blind Beggar of Bethnal Green. London: printed for R. Dodsley, & sold by T. Cooper, 1741.
  • Cleone: A tragedy. Belfats: James Magee, 1759; London: printed for the proprietors, under the direction of John Bell, 1792.

Non-fiction[]

  • essays in Fugitive Pieces: On various subjects, by several authors. (2 volumes), London: J. Dodsley, 1771. Volume I, Volume II.

Juvenile[]

  • Fables Designed for the Instruction and Entertainment of Youth. Paris: printed for Vergani & Favre, 1800.
  • Select Fables of Esop, and other fabulists. London: Wm. Osborne & Jn. Mosley, 1740; (3 volumes), London: R. & J. Dodsley, 1761; Philadelphia: Joseph Cruikshank, 1786.

Collected editions[]

  • Miscellanies. Tully's Head, 1745.

Edited[]

Letters[]


Except where noted, bibliographical information courtesy WorldCat.[7]

See also[]

References[]

  • Shadows of the Old Booksellers, by Charles Knight (1865), pp. 189-216;
  • "At Tully's Head" in Eighteenth Century Vignettes, 2nd series, by Austin Dobson (1894);
  • E. Solly in The Bibliographer, v. (1884) pp. 57-61.
  •  Tedder, Henry Richard (1888) "Dodsley, Robert" in Stephen, Leslie Dictionary of National Biography 15 London: Smith, Elder, pp. 170-174  Wikisource, Web, Jan. 5, 2018.

Fonds[]

Notes[]

  1. ↑ John William Cousin, "Dodsley, Robert," A Short Biographical Dictionary of English Literature, 1910, 118. Web, Jan. 5, 2018.
  2. ↑ 2.0 2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 Tedder, 170.
  3. ↑ 3.00 3.01 3.02 3.03 3.04 3.05 3.06 3.07 3.08 3.09 3.10 3.11 Tedder, 171.
  4. ↑ 4.00 4.01 4.02 4.03 4.04 4.05 4.06 4.07 4.08 4.09 4.10 Tedder, 172.
  5. ↑ 5.0 5.1 5.2 5.3 5.4 5.5 5.6 5.7 Tedder, 173.
  6. ↑ Tedder, 174.
  7. ↑ Search results = au:Robert Dodsley, WorldCat, OCLC Online Computer Library Center Inc. Web, Oct. 11, 2014.

External links[]

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This article incorporates text from a publication now in the public domain, the Dictionary of National Biography (edited by Leslie Stephen & Sidney Lee). London: Smith, Elder, 1885-1900. Original article is at: Dodsley, Robert

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