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About Shakespeare

William Shakespeare
Shakespeare's life
Religion • Sexuality
Bibliography
Collaborations • Attribution
Criticism
Reputation • Influence
World Bibliography
Folger Shakespeare Library
Books on Shakespeare

Poems

Shakespeare's Sonnets
Shakespearean sonnet
Petrach vs. Shakespeare
"A Lover's Complaint"
"Venus and Adonis"
"The Rape of Lucrece"
"The Phoenix and the Turtle"

Chronology • Early texts
First Folio • Second Folio
False Folio • Style

The Two Gentlemen of Verona
The Merry Wives of Windsor
Measure for Measure
The Comedy of Errors
Much Ado About Nothing
Love's Labour's Lost
A Midsummer Night's Dream
The Merchant of Venice
As You Like It
The Taming of the Shrew
All's Well That Ends Well
Twelfth Night

Histories

King John • Richard II
Henry IV, Part 1 • Part 2
Henry V • Henry VI, Part 1
Henry VI, Part 2 • Part 3
Richard III • Henry VIII

Tragedies

Troilus and Cressida
Coriolanus • Titus Andronicus
Romeo and Juliet''
Timon of Athens
Julius Caesar
Macbeth • Hamlet
King Lear • Othello
Anthony and Cleopatra

Romances

Pericles, Prince of Tyre
Cymbeline • The Winter's Tale
The Tempest
The Two Noble Kinsmen

Rowe • Pope • Theobald
Johnson • Steevens • Malone
Chalmers

Contemporaries

Elizabeth I • James I
Richard Barnfield
Beaumont and Fletcher
Geo. Chapman • Henry Chettle
Robert Davenport
Tho. Dekker • Michael Drayton
Thomas Freeman • John Ford Tho. Heywood • Hugh Holland
Ben Jonson • Thomas Kyd
John Lyly • Richard Linche
Gervase Markham
Christopher Marlowe
John Marston • Tho. Middleton
Anthony Munday • Tho. Nashe
George Peele • William Percy
Walter Raleigh • William Rowley
Cyril Tourneur • John Webster
Geo. Whetstone • Mary Wroth
Elizabethan miscellanies

In performance

Shakespeare's Globe
Royal Shakespeare Theatre
Stratford Shakespeare Festival
Theatre companies
Film and TV adaptations
BBC Television Shakespeare

Miscellaneous

Shakespeare Apocrypha
Authorship question • History
Jubilee • Bardolatry
Shakespeare's Birthplace
Stratford-upon-Avon
Shakespeare garden

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The Second Folio is the term applied to the 1632 edition of the works of William Shakespeare, following upon the First Folio of 1623. Much language was updated; there are almost 1,700 changes from the First Folio.

History[]

The major partners in the First Folio had passed from the publishing scene by the time of the Second Folio: William Jaggard had died in 1623, and his son Isaac in 1627. Edward Blount, the 3rd major partner, had sold his rights to Shakespearean plays to Robert Allot in 1630, and then died in 1632. Allot thus became the prime mover in the creation of the Second Folio. The two minor partners in the First Folio, William Aspley and John Smethwick, continued as partners in the Second Folio syndicate; Aspley owned the rights to Much Ado About Nothing and Henry IV, Part 2, while Smethwick owned the rights to Love's Labour's Lost, Romeo and Juliet, Hamlet, and The Taming of the Shrew. Allot, Aspley, and Smethwick were joined by 2 other publishers: Richard Hawkins and Richard Meighen.[1] (Hawkins owned the rights to Othello, while Meighen owned the rights to The Merry Wives of Windsor.)

The printing of the Second Folio was done by Thomas Cotes. Individual copies of the Second Folio were issued with title-page inscriptions to each of the five publishers, in the format "printed by Thomas Cotes for Robert Allot," "...for William Aspley," etc. It appears that each of the booksellers in the syndicate took a specific consignment of the press run to sell at his shop, the size of the consignment depending upon his level of participation in the project. In all copies, though, a colophon at the end of the book gives the full list of publishers. By an accounting, the surviving volumes of the Second Folio inscribed for Robert Allot outnumber those for the other 4 publishers taken altogether, by about 2 to 1 — a fact that reflects Allot's dominance in the endeavor.[2] The Hawkins imprint is "exceedingly rare," and "Not more than three or four copies are known with the Smethwick imprint...."[3] Though all copies of the Second Folio are dated 1632, some in fact are remainder issues that were released as late as 1641 and after.[4]

King Charles I owned a copy of the Second Folio, which became part of the library of Windsor Castle; Charles II's copy is in the British Museum. The so-called Perkins Folio, which John Payne Collier used for his forged emendations of Shakespeare's text, was a copy of the Second Folio.[5]

References[]

  1. F. E. Halliday, A Shakespeare Companion 1564–1964, Baltimore, Penguin, 1964; pp. 39, 169-71, 458.
  2. Andrew Murphy, ed., Shakespeare in Print: A History and Chronology of Shakespeare Publishing, Cambridge, Cambridge University Press, 2003; p. 52.
  3. Frank Karslake, Book Auction Records, London, William Dawson, 1903; p. 355.
  4. William Todd, "The Issues and States of the Second Folio and Milton's Epitaph," Studies in Bibliography 5 (1953), pp. 81-108.
  5. Sidney Lee, A Life of William Shakespeare, London, Mcamillan, 1898; p. 312.

External links[]

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